Brilliant researchers Lillian Reynolds and Michael Brace have developed a system of recording and playing back actual experiences of people. Once the capability of tapping into "higher brain functions" is added in, and you can literally jump into someone else's head and play back recordings of what he or she was thinking, feeling, seeing, etc., at the time of the recording, the applications for the project quickly spiral out of control. While Michael Brace uses the system to become close again to Karen Brace, his estranged wife who also works on the project, others start abusing it for intense sexual experiences and other logical but morally questionable purposes. The government tries to kick Michael and Lillian off the project once the vast military potential of the technology is discovered. It soon becomes obvious that the government is interested in more than just missile guidance systems. The lab starts producing mind torture recordings and other psychosis inducing material. When ...Written by
Eric van bezooijen <email@example.com>
Several more shots of "Hell" were created but cut from the final print for pacing. One of these was termed "Condo Hell" and featured many rapidly changing faces drifting slowly towards the viewer against an austere, high-tech looking background. Some of this can be seen in the trailer for the film. "Cancer Hell" was the crew's term for the gory-looking shots of tormented souls. See more »
Alex tells Michael of the "death tape," that "Nobody plays that tape!" When Michael asks Alex where it is, Alex replies that is locked away, safe. If that was true, then why was Michael able to cue it up and access it on the machine like any of the other tapes in the tape room. See more »
After the final credit has rolled, 'TO NATALIE' appears for a couple seconds See more »
In the psychotic episode sequence when Michael's (Christopher Walken) son Chris (Jason Lively) wears the headset, there's a slight difference between the 70mm version and 35mm version. In the 70mm version of Chris' hallucination when Michael turns on a lever sending presumably an electrical current to Chris' head, the camera cuts to and remains on a shot of a circular device with electricity running through it as we hear Michael say 'Now you're gonna find out it's mine!'. In the 35mm version, the shot arrangement is the same except that it cuts back to a close up of Michael saying the line 'Now you're gonna find out it's mine!'. See more »
Brainstorm is an amazing and beautifully crafted film, worth watching more than once. From the opening credits and the music that never quite resolves, it is one of those experiences that leaves one unsettled, but not untouched. The images, the stories, and the issues keep this film from succumbing to the temptation of being more science than fiction. The subtle performances and direction, although sometimes underrated, are intriguing and lend a sophisticated air.
Watch it as an experience rather than as a scientific treatise and you will surely have a great ride.
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