While traveling with his father, young Alec becomes fascinated by a mysterious Arabian stallion who is brought on board and stabled in the ship he is sailing on. When it tragically sinks ... See full summary »
Inspired by the novels of Walter Farley. After being shipwrecked on a remote desert island, courageous, young Alec Ramsay and a wild Arabian stallion named the "Black," form an irrevocable ... See full summary »
Richard Ian Cox,
Docs Keepin Time
A mother tells her daughter a fable about the prince of the brumbies, brumby being a term for the feral horses of Australia, who must find its place among its kind, while one man makes it his mission to capture it and tame it.
Carrie is a big-city teenager whose life is turned upside down when she moves to a horse ranch in Wyoming to live with her father. But everything changes when Carrie meets Flicka, a wild, ... See full summary »
Some critics felt the film's portrayal of Arabs was racist. Roger Ebert wrote, "The Arabs are portrayed in this movie as the usual greasy, obnoxious buffoons that have been so popular in the movies ever since the oil crisis; I guess the message is that it's OK to be racist, as long as your targets live far away and don't buy many movie tickets. The Arab villain is played by Allen Goorwitz, a good character actor who is so far off-base here it's pathetic." See more »
In the scene when Alec finally finds the Black in the desert valley with the other horses and whistles for him, there is a modern woman in a sleeveless flowered top with frizzy blonde hair sitting on a rock behind him in a few shots. See more »
Boys adventure story...prettily photographed but a sequel nobody asked for
Follow-up to the acclaimed 1979 film, regarding a young American lad in the 1940s who bonds with an Arabian stallion while shipwrecked on an island, picks up where its predecessor left off. The boy, having won a championship race while riding the Black, has his horse stolen by a sheik who claims the horse is actually his. Following the horse thieves, the kid stows away on a plane headed for Casablanca, where he learns the Black will be entered in a new competition. Although the horse is the same (except for the racing shots) and the kid (Kelly Reno) is the same, director Carol Ballard from the first film is missing, and one can sense almost immediately that "The Black Stallion Returns" is without Ballard's dreamy pace and caressing images (here, Robert Dalva sets up individual scenes with a ham-fisted directness that makes the whole enterprise seem perfunctory, and he has no talent whatsoever with actors). Since the story is a washout, there's nothing to occupy one's interest except for the technical accomplishments, including Carlo di Palma's fine, if inexpressive, cinematography and Georges Delerue's lovely score. As for the performances, Reno doesn't have a professional actor's polish (which is both pro and con), but Allen Goorwitz (Garfield), playing the sheik's competitor for the Black (an Arab named Kurr!), is hopelessly if amusingly miscast as the proverbial cackling-villain; Vincent Spano (as Moroccan an actor as money could buy) is equally out-of-place as Reno's desert friend, while Teri Garr returns in a walk-on as Reno's mother (it's even less of a cameo than she had the first time). Not terrible, certainly, but a turgid adventure, trotting out aged stereotypes and a formula finale. *1/2 from ****
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