A seminal Thirty-Something movie in which a group of old college friends who are now older and experienced come together for the funeral of Alex, who was at one time the brightest and the best of them at college and yet who never managed to find his way. The friends use the occasion to reacquaint themselves with each other, discuss where their lives have led and speculate on what happened to their idealism which had been abundant when they were younger.Written by
Mark Thompson <email@example.com>
According to Mary Kay Place, Lawrence Kasdan would often time scenes so that they would move along at a certain clip. It was an effort to keep the scenes from running too long so that Kasdan wouldn't be forced to cut them down later--something he hated having to do. See more »
Sarah's concern about putting everyone up in her huge house would actually make sense. Despite its size, the house has only four bedrooms, one in each quadrant upstairs. Putting Nick in the attic, and Chloe in the basement, Sarah and Harold in the master, and Richard and Karen in another, would leave only two bedrooms and three more people to accommodate. Yet everybody seems to have their own comfortable room throughout the film. See more »
Tell me. Tell me.
It's not going to come out right.
Oh. I feel like I got a great break on a used car.
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In the original, in the nighttime scene under the dock with Karen and Sam, after Sam explains why their relationship wouldnt work, Karen says "don't give me that shit!". For the network version, its changed to "Don't Give me that Junk!". See more »
While channel surfing, saw this movie again tonight, for about the 35th time. What makes this movie great is not the story - hell, there is no story really - but the making of the movie itself. It is the single best combination of acting, film editing, sound track, dialogue, and every other thing that goes into a movie, ever put together. No special effects, no car chases, no suspense, no anything that usaually passes for entertainment. Just excellent film making. Even tonight, I saw yet one more background detail I never noticed before. You have to watch this movie multiple times to appreciate it. Nearly everything that happens early in the movie relates to something that occurs later on. The transitions and foreshadowing, the character relationships, the very words themselves all fit together like no other film ever made. I truly believe that this is a film that should be studied as an example of pure movie making, no less than Citizen Kane. To rate this movie as a 10 is to underrate it. Of course, that is just my opinion.
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