A seminal Thirty-Something movie in which a group of old college friends who are now all grown up and hardened by the big wide world come together for the funeral of Alex, a barely glimpsed corpse, who was at one time the brightest and the best of them, and yet who never managed to achieve half as much as any of the others. The friends use the occasion to reacquaint themselves with each other and to speculate as to what happened to their idealism which had been abundant when they were younger.Written by
Mark Thompson <email@example.com>
The white church complex featured during the funeral sequence at the picture's start, and in some of the movie's deleted scenes, is the Sandhill Baptist Church, which is situated at 15480 Pocotaligo Road, west of Varnville, in South Carolina, USA. See more »
Sarah's concern about putting everyone up in her huge house would actually make sense. Despite its size, the house has only four bedrooms, one in each quadrant upstairs. Putting Nick in the attic, and Chloe in the basement, Sarah and Harold in the master, and Richard and Karen in another, would leave only two bedrooms and three more people to accommodate. Yet everybody seems to have their own comfortable room throughout the film. See more »
How about you Michael? So tell us about the world of big time journalism.
Well iwhere I work we only have one editorial rule. You can't write anything longer than it takes your average person to take an average crap.
I'm getting tired of everything I write being read in the can.
You can read Dostoyevsky in the can.
Yes, but they can't finish it.
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In the original, in the nighttime scene under the dock with Karen and Sam, after Sam explains why their relationship wouldnt work, Karen says "don't give me that shit!". For the network version, its changed to "Don't Give me that Junk!". See more »
There was something about this movie which I couldn't place my finger on. Although I barely made the 60's, of which all the characters are reminiscing of and therefore perhaps I maybe missed some subtle messages or didn't get some in-jokes about the 60's, this movie still applies to everyone. I guarantee every generation will have a time where they come back after 10 or 15 years and see friends that had been so important but are now barely on the radar. They will have a weekend of drinking and tears and fights and laughter. You will look at someone and remember a deep, hidden passion for them that you felt so long ago and never shared with anyone.
That is of course, the plot of the movie.
7 friends (who go wayyy back) one husband (who disappears pretty quickly) and a widowed girlfriend (who is barely known by anyone) come together after they learn that Alex, a friend formally part of the clique, had committed suicide (this part was infamously played by Kevin Costner). They have a weekend of sex, drugs, and good ol' fashioned rock and roll, the whole time bringing up past ghosts that had seemed long forgotten and faded. This is touchy subject, even in today's standards. Yet the movie handles it beautifully. My favourite section in the whole movie was when `You can't always get what you want' was played at his funeral. Not for the song, although it is a classic but for how the characters react. Each sit there in the church, some smiling quietly to themselves, while others have a sadden expression, remembering great times that were and never will be again. Every person has a song like that, one that makes you remember your friends, one that makes you sad or laugh and or grin to yourself as you remember the things you did. That to me clinches the movie. It shows how true the script is, and how humanly the characters react. There is a lot of angry hype about the movie, how there is too much talking and not enough sex or car chases or whatever people think is missing. Yet for me, it is reality. When something like this happens in real life, people do not over dramatise. Life is not a soap opera, although movie-goers seemed to want this movie to be. In a real-life situation, people would do exactly what the characters did, examine themselves and try to find a reason for the problems that have happened. Yet the hard truth is, especially about suicide, sometimes, there is no one you can blame. I think people didn't like this movie too much because it rang too true. It was too realistic. People go the movies to be entertained, to fall in love with the fairy-tales lives that movies have. This movie is honest. It seems, for now, people just want to be naïve and live in a fantasy world. If you want a true movie, see this one now.
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