A seminal Thirty-Something movie in which a group of old college friends who are now older and experienced come together for the funeral of Alex, who was at one time the brightest and the best of them at college and yet who never managed to find his way. The friends use the occasion to reacquaint themselves with each other, discuss where their lives have led and speculate on what happened to their idealism which had been abundant when they were younger.Written by
Mark Thompson <email@example.com>
Of the marathon improvisation period during the rehearsals period, director Lawrence Kasdan said: "It happened kind of spontaneously. We were working at the house and everyone was in costume and we decided it might be great if we all cooked a meal. That way they'd have to split up the tasks and approximate a group of close friends putting together a dinner. I chose to leave at that point and all I said was, 'You should do this in character'. I left and for five hours they remained in character without any authority figure, without any director to tell them if they were behaving or reacting in the correct way according to the writer's or director's ideas. They had to live in those characters' skins and instantly deal with input from each other character. It became a very intense experience and they all came out of it exhausted and drained. I'm not sure it would have developed as fully had I been there during that time. A rehearsal period goes through stages like a life cycle and we had already had three and a half weeks of rehearsal. But that happened at a crucial, crystallizing moment and it turned eight individual actors into an ensemble". See more »
When the cast is eating their first dinner, a crewmember is visible through the window on the right. See more »
[about getting pregnant]
It doesn't always happen the first time.
That's not what they told us in high school.
See more »
In one of the last scenes in the living room, the phrase "crock of shit" is always replaced with "crock of junk". In the original, right after the cop drives away, Harold says to nick "you're fuckin' stupid!". In the network version, he says "you're really stupid!". See more »
It took a little while for me to really get into the film, but in the end, I was hooked. Once I got to know a little about each of the characters, I found it hard not to care about each and every one of them. Yes, it was dialogue-heavy, but once I liked the people on-screen, the conversations became rather engrossing. Even if lots of talking doesn't sound too appealing, I still think you should give it a look, because it isn't too often that a film has a cast that is so hugely talented. And of course, this film has one of the greatest soundtracks in movie history, and these songs seem to fit the mood perfectly. I had high expectations for this film, and although it wasn't quite what I had expected, this film did not disappoint.
26 of 34 people found this review helpful.
Was this review helpful to you?
| Report this