A seminal Thirty-Something movie in which a group of old college friends who are now older and experienced come together for the funeral of Alex, who was at one time the brightest and the best of them at college and yet who never managed to find his way. The friends use the occasion to reacquaint themselves with each other, discuss where their lives have led and speculate on what happened to their idealism which had been abundant when they were younger.Written by
Mark Thompson <firstname.lastname@example.org>
Although "The Big Chill" differed in subject matter and style from director Lawrence Kasdan's previous picture Body Heat (1981), both films shared Kasdan's interest in creating dynamic characters which are true to people's lives. In "The Big Chill", the characters are former college house-mates who have drifted apart over the years. Members of the baby-boom generation who entered young adulthood as idealistic non-conformists, they are now, for the most part, members of the establishment. "The Big Chill" emerged as a compassionate testimonial to a confused generation, one that has survived the passions of youth and grown through painful self-awareness into adulthood. In this context, the title "The Big Chill" takes on several resonant metaphorical meanings, from the obvious reference to the group's own mortality, strongly reinforced by the occasion of their reunion at a funeral, to the cooling of idealistic fires in the face of more calculated self-interest. See more »
When seated at the breakfast table on the morning of the running shoe delivery, there is a box of shoes labeled "Richard", even though Richard left to go home the previous day. When Michael comes down, there is only one box left on the table, presumably his. See more »
You know, Karen, if we had gotten married, we'd be going shopping like this.
No, if we had gotten married I'd be doing this alone.
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In the original, after Meg tells Sam how much she loves him (in bed), Sam jokingly replies, "so, you wanna fuck?". However, in the network version, he says "so, you wanna do it?". See more »
While channel surfing, saw this movie again tonight, for about the 35th time. What makes this movie great is not the story - hell, there is no story really - but the making of the movie itself. It is the single best combination of acting, film editing, sound track, dialogue, and every other thing that goes into a movie, ever put together. No special effects, no car chases, no suspense, no anything that usaually passes for entertainment. Just excellent film making. Even tonight, I saw yet one more background detail I never noticed before. You have to watch this movie multiple times to appreciate it. Nearly everything that happens early in the movie relates to something that occurs later on. The transitions and foreshadowing, the character relationships, the very words themselves all fit together like no other film ever made. I truly believe that this is a film that should be studied as an example of pure movie making, no less than Citizen Kane. To rate this movie as a 10 is to underrate it. Of course, that is just my opinion.
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