A documentary filmmaker, who has spent the last 15 years making films like "Aluminum: Our Shiny Friend," is finally given the chance to make the documentary on Indian farming he has always ... See full summary »
Seven former college friends, along with a few new friends, gather for a weekend reunion at a summer house in New Hampshire to reminisce about the good old days, when they got arrested on the way to a protest in Washington, DC.
Four boys are sent, for different reasons, to a Military Academy. The life of discipline asks a lot of the four geeks. Of course these boys know how to make a party out of the hard times. Will they be "real men" after one year.
In 1966 New Jersey, Jill Rosen, a frustrated high schooler, is intrigued by an enigmatic new student known only as the Sheik. Sheik is an Italian whose primary interests are his car, Frank Sinatra, and Jill. At first she is taken aback by his forwardness, but they soon develop a relationship, much to the chagrin of their parents. Sheik gets expelled from school, and Jill is accepted at an all-girls college. After a fight, Sheik goes to Florida to work in a club lip-synching Sinatra songs. Sheik becomes dissatisfied with his Florida lifestyle and goes back to New Jersey to try to win Jill over.Written by
Philip Brubaker <firstname.lastname@example.org>
John Sayles has said of this film: "'Baby, It's You' is about rock 'n' roll. It's about firsts: first sex, first love, first drugs, first loss". See more »
The prom sign says congratulations class of 1969. The parents say they are happy they are sending Jill to a women's college. Sarah Lawrence went co-Ed in 1968 which would be at least a year before Jill attends. See more »
A big thanks to Mr Sayles for not letting the studio ruin this movie and shame on me for taking 25 years to see it. This is a wonderful and unique look at growing up, particularly that two year period where one is a senior in high school and then the year after they graduate. For many it is probably the most important two year period of their life. Sayles takes his time examining both the before and after periods with new friends, experiences, college, first jobs, first love, sex, etc. It is all here and unless things have changed more than I know, these are all universal issues that are still relevant. The fact that the story takes place in a very specific time and place doesn't matter much although the music, cars and other props are as carefully chosen as any movie I've seen.
It's sad that Hollywood rarely examines this most defining period in our lives. I was stumped trying to think of other movies that showed this transition. The closest I thought of was Bagdonovich's 'The Last Picture Show' and perhaps Crowe's 'Say Anything' but in both cases it was over a shorter period(just a summer in the latter). I finally hit upon the reason for this; and that is although it is a great game-plan for making a quality movie it is a poor one for making a popular movie. Unfortunately the studios have learned this lesson all too well.
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