The story of Nikos Belogiannis member of the communist party and officer of Ellas that has come back to Greece only to get arrested, tried for espionage on behalf of Russia and executed. A ...
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In a small Greek village, short time after the collapse of the Junta regime, a memorial of those who died in the German occupation of Greece brings in the surface the political differences of a conservative teacher and his two sons.
Famous writer Alexander is very ill and has little time left to live. He meets a little boy on the street, who is an illegal immigrant from Albania, and goes on a journey with him to take the boy home.
The diary of the life and death of a group of "amoral" young people, who have reached the point of no return and seek something to believe in and to die for. Their behavior brings them to ... See full summary »
Set in 1922, is the story of a mail order bride, one of 700, aboard the SS KING ALEXANDER, who falls in love with an American photographer. She is bound for her new husband, in New York; he is on his way home to a failed marriage.
Four stories, humorous, romantic or dramatic, are linked by a counterfeit gold sovereign. It is made by the honest engraver in the first story, seduced by the charms of a young widow, and ... See full summary »
The story of Nikos Belogiannis member of the communist party and officer of Ellas that has come back to Greece only to get arrested, tried for espionage on behalf of Russia and executed. A photograph of his bearing a carnation has circulated internationally and gives the name of the film.Written by
This is an excellent film, political and well crafted, concerning a crucial time in modern Greek history, the post-Civil War era and the intrusive US presence in the political life of Greece. Granted, the communist threat was still ever-present in the Greek psyche but the US Ambassador and the Pentagon's presence in Greek political life, and the influence the US Embassy wielded on the government and the Palace is well handled. The acting is controlled and not excessive as is usual in Greek films and except for the opening vignettes of police actions against the Greek leftists and their suffering on the prison IsIand (perhaps Makronissos) is convincing.
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