Jonathan is helping the police apprehend the man behind a smuggling ring. But they discover that the man is a diplomat with diplomatic immunity. Jonathan follow him and sees him talking to a magician...
While visiting a friend in Chinatown, Jonathan discovers that there's a gang who are shaking down everyone. He discovers that his friend's grandson has joined the gang. They learn that the man behind...
A girl was found in India apparently raised by wolves and brought to the U.S. and is being kept at a university while she is being studied. Jonathan attends a lecture and it's during the lecture her ...
The cases of a private investigations agency run by three Vietnam War veterans, armed with toughness, their own helicopter, and the third's technical ability.
A scientist who has created a super helicopter has defected to Libya and taken the machine with him. A secretive government agency hires an ex-Vietnam War pilot to go to Libya, steal the chopper and bring it back.
Director:
Donald P. Bellisario
Stars:
Jan-Michael Vincent,
Ernest Borgnine,
Alex Cord
After an astronaut and test pilot is catastrophically mutilated in a test plane crash, he is rebuilt and equipped with nuclear powered bionic limbs and implants.
Director:
Richard Irving
Stars:
Lee Majors,
Barbara Anderson,
Martin Balsam
Jonathan Chase was a British college professor at New York University who had the unusual ability to transform into any kind of animal. He used his powers to battle crime alongside pretty policewoman Brooke and Vietnam-war pal Ty.Written by
Marty McKee <mmckee@wkio.com>
Whenever the script called for an animal transition, the production designer, director, set decorator, stunt supervisor, animal wrangler and actor had to carefully coordinate every move. Shooting on a sound stage allowed more animal control; location shoots were very difficult. When one script required a cobra, the entire set's perimeter floor and walls had to be sealed to prevent the animal from escaping. A low wall was placed at the open end of the set to seal the stage. To set up filming action scenes with the snake, the camera crew had to lift their equipment into walled-off stage area. The snake wrangler supervised the animal's movements. See more »
OK I'd have to see these again as an adult to give a better opinion. But the show lasted only a few episodes. The special effects were cool , but they did have to reuse some footage. I'm not sure if it was budget or time. Those change sequences must have been a pain to do. And using latex I think is better than CG even though you can do a lot more with CG
From what I remember I liked the show, but it might have been just the fact that a guy could turn into any animal he wanted (although he only got to do a few of of them). That would capture the imagination of any 8 year old. I remember wishing I could do that!
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OK I'd have to see these again as an adult to give a better opinion. But the show lasted only a few episodes. The special effects were cool , but they did have to reuse some footage. I'm not sure if it was budget or time. Those change sequences must have been a pain to do. And using latex I think is better than CG even though you can do a lot more with CG
From what I remember I liked the show, but it might have been just the fact that a guy could turn into any animal he wanted (although he only got to do a few of of them). That would capture the imagination of any 8 year old. I remember wishing I could do that!