| Cast overview, first billed only: | |||
| 'Lee' George Quinones | ... | Raymond 'Zoro' | |
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Lady Pink | ... | Rose 'Lady Bug' (as Sandra 'Pink' Fabara) |
| Fab 5 Freddy | ... | 'Phade' (as Frederick Braithwaite) | |
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Patti Astor | ... | Virginia |
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Andrew Witten | ... | Z-Roc (as Zephyr) |
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Busy Bee | ... | Chief Rocker |
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Carlos Morales | ... | Hector |
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Alfredo Valez | ... | Chico |
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Niva Kislac | ... | Niva |
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Glenn O'Brien | ... | Museum Curator |
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Johnny 'Crash' Matos | ... | Union Crew |
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Daze | ... | Union Crew (as Chris 'Daze' Ellis) |
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Fred 'Caz' Glover | ... | Union Crew |
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Edwin 'Obe' Ortez | ... | Union Crew |
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Lisa Lee | ... | Fly Girl |
Universally hailed as the first hip-hop movie, Wild Style captures New York's 1981 hip-hop culture and several prominent figures including [url=nm1265222] Starski, [url=nm0292735], The Cold Crush Brothers, and one of the godfathers of hip-hop, [url=nm0334739]. A movie whose influence cannot be under-estimated and hailed as the most inspirational hip-hop of movie of all time, Wild Style immortalizes the birth of an underground hip-hop scene about to explode around the world changing the face of music, fashion, art and a way of life forever. Following street artist Zorro (played by legendary subway artist 'Lee' George Quinones) and his crew as they journey through the streets, projects and train yards of New York, keeping one step ahead of the cops and their rivals, the film climaxes in one of the most famous hip-hop concerts in history. Featuring the pioneers at the forefront of a cultural revolution including DJs, rappers and breakers such as [url=nm0334739], The Chief Rocker [url=...
Legendary New York graffiti artist Lee Quinones plays the part of Zoro, the city's hottest and most elusive graffiti writer. The actual story of the movie concerns the tension between Zoro's passion for his art and his personal life, particularly his strained relationship with fellow artist Rose.
Director Charlie Ahearn was approached by graffiti artist Fred Braithwaite, later known as Fab 5 Freddy, who wanted to make a film about hip-hop (as a broad culture encompassing emceeing, DJing, graffiti and break-dancing) and graffiti as an art form. Braithwaite was an acquaintance of Lee Quiñones, whom Ahearn had long-wanted to film and whose murals he has always admired. Braithwaite brought Quiñones in to meet Ahearn and the three began discussions about creating a hip-hop movie.
As a film, this movie is pretty lacking -- the plot is weak, and the acting is completely awful. But that was never the point. With most of the characters ad libbing their lines and actually being real life hip hop and graffiti artists, this almost serves as a pseudo-documentary. Probably no other film better captures the rise of hip hop than "Wild Style".