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Battletruck (1982)

Warlords of the 21st Century (original title)
Post World War III futuristic tale of collapsed governments & bankrupt countries heralding a new lawless age.

Director:

Harley Cokeliss (as Harley Cokliss)

Writers:

Michael Abrams (story), Irving Austin (screenplay) | 2 more credits »
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1 win. See more awards »

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Cast

Cast overview, first billed only:
Michael Beck ... Hunter
Annie McEnroe ... Corlie
James Wainwright ... Straker
Bruno Lawrence ... Willie
John Bach ... Bone
Randy Powell ... Judd (as Randolph Powell)
John Ratzenberger ... Rusty
Diana Rowan Diana Rowan ... Charlene
Kelly Johnson ... Alvin
Ross Jolly Ross Jolly ... Shotgun
Mark Hadlow ... Orrin
John Banas John Banas ... Reuben
Marshall Napier ... Driver
Peter Rowell Peter Rowell ... Feathers
Timothy Lee Timothy Lee ... Hacker
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Storyline

Post World War III futuristic tale of collapsed governments & bankrupt countries heralding a new lawless age.

Plot Summary | Plot Synopsis

Taglines:

After the oil wars came a greater threat... See more »


Certificate:

PG | See all certifications »
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Details

Country:

New Zealand

Language:

English

Release Date:

April 1982 (USA) See more »

Also Known As:

Battletruck See more »

Filming Locations:

Otago, New Zealand

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Box Office

Budget:

NZD1,000,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

The top speed of the battletruck was 65 km per hour; it was the largest motorized film prop ever built in New Zealand. See more »

Goofs

When Corlie and Hunter are being pursued on the off road dirt bike they are chucking bombs to try and stop them. Corlie chucks a silver bomb by the base of a tree. There is an explosion next to the the silver bomb which survived the blast and the tree falls over. See more »

Connections

Referenced in Half in the Bag: Mad Max: Fury Road (2015) See more »

Soundtracks

Battletruck
Written by Kevin Peek
Performend by Eastern Orbit with New Zealand Symphony Orchestra conducted by Kevin Peek
See more »

Frequently Asked Questions

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User Reviews

 
New Zealand's take on the 80's Post-Nuke Future hoopla… and as they see it: Napalm has won over lipstick and chicken excrement is the way to drive!
31 January 2008 | by Vomitron_GSee all my reviews

Man, this was one of my favorite movies when I was a kid. Must have watched it countless times. I hadn't watched it in many years, so I decided to pop it in again. With having watched quite a few 80's post-nuke films more by now, I was kind of afraid that BATTLETRUCK wouldn't hold together very well anymore. But surprisingly, it very much does! Of course BATTLETRUCK holds references to MAD MAX (but that's what we expect from any post-apo flick, right?). At least it's not one of those laughter-inducing Snake Plissken rip-offs this 80's sub-genre was flooded with.

This is one of those very few 80's post-apocalyptic/wastelands themed movies that I can actually agree on being a very serious genre-effort (as in: It doesn't go shamelessly over-the-top) and even a good movie in general. I don't really understand why this movie was released under the title WARLORDS OF THE 21st CENTURY… For one thing, it makes you suspect that you're dealing with a very cheesy, incompetent and blatant 80's Italian genre-effort. And second, BATTLETRUCK is a much cooler and more appropriate title. The black truck featured in this movie, really is the main attraction and it looks frickin' great! Mounting the camera on the front of the truck (but turning it around so we actually see the truck) while it's driving, makes this black beast on wheels a truly menacing entity. And then there's also great shots of the evil truck approaching in the distance, while on the foreground you can see unsuspecting (soon to be) victims.

Truck itself, isn't really a demonic entity of course - like the car in THE CAR (1977), for instance – but it's owned by Colonel Straker, the villainous leader of a band of thugs roaming the wastelands (basically pillaging everything in sight, torturing and killing random people and always searching for precious gasoline). When a girl (named Corlie) fleas from Straker's camp, that's when the trouble begins. Loner Hunter (Michael Beck), rescues her and he had better not done that. Because now, not only his and Corlie's life is in danger, but also the whole peace-loving, democracy-upholding community of Clearwater might be wiped out by Straker's vengeance. The only thing I can comment about on the plot, is that it sometimes seems a bit to run around in circles. But that even seemed to be done on purpose: It gives you the time to really get to know (and care about) all the characters, and see how they tie in all together (because some of them have secrets…).

The whole cast is doing a pretty swell job for a movie of this type. Michael Beck pulls it of nicely as the loner-hero with his nifty-looking bike (thankfully not featuring any goofy gadgets), not really intending to fight, but taking action and making a stand when doing what is right is called for. Especially James Wainwright, as the sadistic Straker, is delicious to behold. He gives a dead-serious performance, and the nasty, meaningless killings he performs and orders are just so mean-spirited. I mean, he's not just an idiot like, for example Gearge Eastman portrayed in WARRIORS OF THE WASTELAND (aka I NUOVI BARBARI). Colonel Straker really is a cunning, vengeful, bad mo-fo. And you can bet your sweet behind, that whenever he puts his arm around your shoulder and smiles, your minutes are numbered.

Brings us to the violent outbursts (that every self-respecting post-nuke film simply must have). BATTLETRUCK isn't a non-stop portrayal of action and violence (and that really uplifts this movie above the general sludge that was being released in this genre). But I assure you, every killing in this movie is handled with such care. Every death-scene looks real. The blood-splatters look real and so do the flesh-wounds and other make-up effects. My favorite scene involving on-screen violence shows us a nasty blow-to-the-head by a fire-extinguisher. Man, that's gotta hurt! Great timing with the good-looking blood-squirts in that scene too. But just don't expect gory sights in BATTLETRUCK; director Harley Cokeliss kept it realistic and didn't over-do it.

The cinematography is also a lot better-looking than many of those notable Italian post-nuke efforts. The landscapes from Otago, New Zealand are astonishing (as if we didn't know that already), without going astray too much from that "dusty wasteland" feeling every post-apo flick needs. And there are a couple of cool helicopter-shots, filming Hunter ripping through the landscapes on his bike and showing the battle truck roaming the wastelands. Particularly the final chase (bike vs. battle truck) is filmed in a very capable fashion. Aside that, the few stunts (with vehicles) in the movie even look real and convincing. A final mention goes to composer Kevin Peek. His eerie electronic 'soundscapes' provide very appropriate atmospheric wrappings every time our menacing truck is on the move. But during some action-sequences, when his score becomes more up-tempo rocking (and some guitars even come on), it gets reduced to being not much more than just amusing (oh well, after all: This is a movie from the 80's). The set-design and vehicles look convincing enough too and there's even a nice roll for a 'modified' Volkswagen Beetle.

So, BATTLETRUCK has a tight, not too complicated plot and decent character-drawings. The action is there. The violence is there. The drama is there. The performances and dialogues are good. The blood and injuries look real. And all the characters that die, you even get to know (on some level) first. And the climax is also satisfying. I've never seen all those elements dosed in such a well-balanced manner in any post-apocalyptic movie. And to be able to make this statement, I had to see numerous post-apo crap-fests first in recent years. In the end, BATTLETRUCK rightfully remains a favorite of mine, and if you like this sub-genre and can appreciate a more serious entry in it, then I can recommend tracking this baby down.


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