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Vincent (1982)

Young Vincent Malloy dreams of being just like Vincent Price and loses himself in macabre daydreams which annoys his mother.

Director:

Tim Burton

Writer:

Tim Burton
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Cast

Complete credited cast:
Vincent Price ... Narrator (voice)
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Storyline

Vincent Malloy, a polite 7-year-old boy and a fervent Vincent Price aficionado, has only one dream: to become like his idol. With this in mind and with the help of his unrestrained imagination, young Vincent relives his favourite actor's movies and stories, performing strange experiments in the likes of Edgar Allan Poe's tales. However, much to the boy's irritation, somehow, his mother always manages to get in the way. Poor Vincent, no one understands you. Written by Nick Riganas

Plot Summary | Add Synopsis


Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

1 October 1982 (USA) See more »

Also Known As:

Vincent See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Stereo

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In a scene from "Corpse Bride" Finis Everglot makes a reference to this movie by mistaking "Victor" for "Vincent", presumably due to their resemblance. See more »

Quotes

Narrator: Vincent Malloy is seven years old, / He's always polite and does what he's told. / For a boy his age he's considerate and nice, / But he wants to be just like Vincent Price. / He doesn't mind living with his sister, dog and cats, / Though he'd rather share a home with spiders and bats. / There he could reflect on the horrors he's invented, / And wander dark hallways alone and tormented. / Vincent is nice when his aunt comes to see him, / But imagines dipping her in wax for his wax museum. / He ...
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Connections

Referenced in Down to the Bone (2009) See more »

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User Reviews

Ghoulishly good fun!
14 September 1999 | by Chris-564See all my reviews

The art of the short film is one that is all too often overlooked by larger production companies. Which is just downright silly, really - OK, chances are they will provide less huge financial returns, but companies can afford to lose the odd dollar here and there, especially when films like "Vincent" are at stake. Funded by the Walt Disney Company whilst they were nurturing a budding young animator called Tim Burton, "Vincent" is a lovely little exposé on the secret thoughts that lurk in the back of most little children's brains. Lawks - I know they lurked in the back of mine.

Based on a poem that Burton composed himself, Vincent tells the story of a little boy who wants to grow up to be just like Vincent Price, the popular horror actor, and Burton's childhood idol. The narrative has a sing-song feel to it, and therefore retains an added grizzly-little-child-like nature, and the cinematography is a triumph, harking back to the classic B-movie horror films that Burton (and myself) grew up on. Vincent Price was, it seems, just as much an icon for Burton as for me: "House of Wax", "The Fly", "Theatre of Blood" - these are all films that made a great impression on Burton as a child.

Among other influences within the short are Edgar Allen Poe and Mary Shelley, both of course prolific horror writers that have inspired many films themselves. It is clear that Burton was going on to great, great things - as indeed he did - and it says a great deal about the company that agreed to fund this unknown's obvious talents. It's sad to say, however, that there was little Disney felt it could do with the film (without damaging it's reputation as the family-friendly Mouse Factory), and so it remains largely unseen by most people (with the exception of those who see it at film festivals, and on laserdisc).

"Vincent" is, to my knowledge, the first major use of claymation, the animation technique that featured in "Tim Burton's The Nightmare Before Christmas", directed by Henry Selick; and therefore a breakthrough in animation technique. More short films should be made to test the viability of such new devices - just like Disney's "Flowers and Trees" and "Steamboat Willie" were breakthroughs with their use of colour and sound respectively. But all too often, these new devices are left to major motion pictures (like the use of the IMAX format in "Fantasia 2000", and the new CGI animation Deep Canvas, being pioneered in "Tarzan"). The short film is an ideal way of discovering exciting new additions to cinema - both in technique, and in directing, acting and photography.

For more information about "Vincent", and to see some of the concept sketches that went into the creation of the movie, I highly recommend "Burton on Burton", a loose autobiography of Tim Burton's work so far. It certainly has lots to say about short films - when the running time is five minutes, as opposed to the standard hundred-odd minutes provided by a main feature, there is also a lot less scope for things to go drastically wrong. And practically nothing in "Vincent" does - it is a diverting, amusing and gruesomely imaginative addition to Burton's work, and also to Disney's showcase. All in all, "Vincent" is a sterling little film, with lots to recommend it, and a fine example of Burton's early work!


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