A single mother prostitute, who goes by the name Princess, finds herself forced to work undercover for the police in order to apprehend a homicidal, misogynistic pimp named Ramrod, who will do anything not to get arrested.
Molly, a highschooler, secretly earns her living as Angel, a street prostitute whose only family and friends are the ones she works with on the streets. She has to survive against a serial killer who is targeting people of her profession.
Molly, former prostitute, has managed to leave her street life with help from Lt. Andrews. She studies law and leads a normal life. When Andrews is killed by a brutal gang, she returns to the streets as Angel to find his killers.
Upon his return from Vietnam, an ex-soldier finds his neighborhood has deteriorated badly, and is being terrorized by a vicious street gang. He calls some of his GI buddies, and together they hatch a plan to get rid of the gang.
Roy and Bo leave their small town the weekend after graduation for a short road trip to LA. Soon, they find themselves lashing out and leaving a trail of bodies behind them. The violence escalates throughout.
A decent-looking lad called Dennis Skinner rents an apartment in a couple's house, Kerry and Geoff. At night he roams the streets with a goodie-bag filled with knives looking for victims to... See full summary »
When his wife and son are brutalized by thugs and a corrupt criminal justice system puts the perpetrators back on the street, a New York City factory worker turns vigilante to find some measure of bloody justice.
A Los Angeles businesswoman, known only by her street name of Princess, turns to prostitution to support herself and her young daughter when she's forced by Detective Tom Walsh and his vice squad to help them arrest a brutal pimp named Ramrod for the murder of a prostitute named Ginger. But when Ramrod learns that he was set up, he escapes from police custody and begins a long night of tracking down Princess while Walsh and his vice squad are always one step behind him.Written by
Near the end of the movie, Princess scratch left side of Remrod's face. But in the next shot we see scratches on his right side. See more »
Let me see a warrant right now, boy.
Warrants? We don't need no stinkin' warrants because we're holding them in our right hand, buffalo breath!
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The UK cinema version was heavily cut by over 6 minutes by the BBFC to edit scenes of violence and torture including Ramrod's torture of Ginger with the pimp stick (twisted wire coat-hangers) and shots of Princess being assaulted and beaten. The 1987 Embassy video release was the pre-edited U.S TV version which ran around 4 minutes shorter, removed most of the violent scenes, and was dubbed to delete nearly all the profanity. See more »
Gary Sherman's "Vice Squad" is all show, but powerfully biting and sordid exploitation of the seedy strip of Hollywood and Sunset Boulevard when the sun finally goes down. For such luridly unpleasant context, the film manages to amuses with rousing suspense, sharply-witted (if foul) script and its authentically raw atmosphere. Even the performances figure prominently. Wing Hauser deservedly dominates the limelight as the frighteningly, aggressive pimp Ramrod. His turn is that of pure spontaneous and nightmarish intensity. Truly hard to forget. Gary Swanson's courageously humane performance as Detective Walsh, the leader of the 'Vice squad' is downright solid, and there's a confidently brassy and strong-willed go-it-alone portrayal by Season Hubley as the prostitute Princess that Ramrod is after for setting him up. The support cast racks up recognizable bit players (Pepa Serna, Beverly Todd, Maurice Emanuel, Nina Blackwood, Michael Ensign, Cheryl Smith, Fred Berry and the list goes on) of rich characterisations. Sherman's sensationally gripping direction doesn't let up or beat around the bush, as he cranks up the energy and brutality. Still there's a slickly professional manner about it, and cinematographer John Alcott shots it with great ticker, and stylish verve. The screeching rock title track "Neon Slime" sung by Hauser sets the tone, and the saucy score has a feverish pitch that enhances the downbeat atmosphere and daring intensity.
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