A New York City narcotics detective reluctantly agrees to cooperate with a special commission investigating police corruption. However, he soon discovers that he's in over his head, and nobody can be trusted.
Honest and hard-working Texas rancher Homer Bannon has a conflict with his unscrupulous, selfish, arrogant and egotistical son Hud, who sank into alcoholism after accidentally killing his brother in a car crash.
When two brothers organize the robbery of their parent's jewelry store the job goes horribly wrong, triggering a series of events that sends them, their father and one brother's wife hurtling towards a shattering climax.
Philip Seymour Hoffman,
Frank Galvin was once a promising Boston lawyer with a bright future ahead. An incident early in his career in which he was trying to do the right thing led to him being fired from the prestigious law firm with which he was working, almost being disbarred, and his wife leaving him. Continually drowning his sorrows in booze, he is now an ambulance chasing lawyer, preying on the weak and vulnerable, and bending the truth whenever necessary to make what few dollars he has, as he has only had a few cases in the last few years, losing the last four. His only friend in the profession is his now retired ex-partner, Mickey Morrissey, who gets Frank a case, his fee solely a percentage of what his clients are awarded. The case should net Frank tens of thousands of dollars by settling out of court, that money which would at least get him back on his feet. It is a negligence suit brought on behalf of Deborah Ann Kaye by her sister and brother-in-law, Sally and Kevin Doneghy, against St. Catherine...Written by
Arthur Hiller was originally attached to direct. Hiller was a mainstay at the 20th Century Fox studio around the time that the film was made. In 1982, the year that The Verdict (1982) first launched, Hiller had two films out that he had directed at Fox, these were Making Love (1982) and Author! Author! (1982). Reportedly, Hiller left The Verdict (1982) because he did not like David Mamet's script. See more »
In the climactic courtroom scene, when Frank calls Kaitlin to the stand, Concannon is flustered and confers with one of his lawyers. We then see the lawyer leave the courtroom, presumably having been given some direction by Concannon. Later, after Kaitlin has been questioned by Frank and cross-examined by Concannon, the lawyer returns with a book containing the case Concannon cites to get the judge to disallow the admittance of the photocopy of the hospital admission form as evidence. However, at the point at which Concannon calls the lawyer over and then, presumably, sends him out to "find" this book/case, he doesn't even know about the existence of the photocopy because he hasn't yet questioned Kaitlin; it's during his questioning of Kaitlin that she reveals she has a photocopy of the form. So there's no way the lawyer would have known to go out and find a case regarding the inadmissibility of a photocopy. See more »
Your honor, with all due respect: if you're going to try my case for me, I wish you wouldn't lose it.
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NBC edited 33 minutes from this film for its 1985 network television premiere. See more »
I've always believed that actors are drawn to courtroom material because of the inherent conflict within them makes for good drama and good parts. They're quite a few of them in The Verdict.
This has always been my favorite Paul Newman film, it's the one he should have won the Oscar for. His Frank Galvin is not the noblest of creatures, he's a once promising attorney now an alcoholic ambulance chaser. But the skills are still there and he shows them battling tremendous odds. Thirty years earlier Frank Capra could easily have made this the subject of one of his populist dramas.
Newman gets great support from an outstanding cast. James Mason, Jack Warden, Charlotte Rampling, Joe Seneca deliver some outstanding performances. The one I particularly liked here was Milo O'Shea as the corrupt and biased judge.
Most of the great courtroom dramas have been about criminal cases. The Verdict was a landmark film that set the stage for the success of other great films about civil cases, including A Civil Action and Erin Brockovich. Those I don't think would have been made but for the critical and popular success of The Verdict.
Paul Newman was never better on screen.
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