Joe Braxton is an ex-con who has been given a second chance to freedom after violating his probation. He has been hired by a school teacher named Vivian Perry to repair and drive an old ... See full summary »
Angel Ramirez Jr.
Con man Kevin Lennihan, framed in a jewel smuggling, tries for an insanity plea, and is sent to a hospital for review, where he is confused for another doctor and takes over the hospital when a major storm hits.
George has been in a mental hospital for three years and is finally ready to go out into the real world again. Eddie Dash, a dedicated con man, is supposed to keep him out of trouble, but ... See full summary »
On one of his bratty son Eric's annual visits, the plutocrat U.S. Bates takes him to his department store and offers him anything in it as a gift. Eric chooses a black janitor who has made him laugh with his antics. At first the man suffers many indignities as Eric's "toy", but gradually teaches the lonely boy what it is like to have and to be a friend.Written by
Paul Emmons <firstname.lastname@example.org>
The mansion in the movie was Charbonnet House near Baton Rouge, Louisiana. It covered 34,000 square feet (3,158 square meters) on 500 acres (202 hectares) of manicured grounds. It had two lakes, one of which covers more than 200 acres (81 hectares) and included fish, herons, and exotic ducks. See more »
When Eric and Jack are driving the red car down the staircase, there is no food cart in front of the stairs at the bottom. In the next shot, a food cart is present (which they smash into). See more »
I gotta pull up my boots real high because the bullshit is getting thicker.
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The closing credits are shown aside four toy darts. See more »
Important Evidence For How Great The Original Is !
It's nearly a shot-by-shot remake for the French masterpiece (Le Jouet - 1976); so much for saying I think !. (Richard Pryor) filled it with his own buffoonery, and some funny lines, but he couldn't capture the serious sense of the story, he almost dealt with the movie as a toy itself. He was a golden star at the moment, so maybe they left him do whatever he wants. Or maybe that's the taste of his comedy anyway. (Richard Donner) made it fairly but it's still one of his most spiritless movies that lacks the personal touch, he was executing more than creating at this break between the end of the 1970s' (Superman)'s movies, and his works at the mid-1980s : (Ladyhawke), (The Goonies), then (Lethal Weapon).
Of course the comparison isn't for the sake of the American movie. Firstly, there are no changes, they kind of translated the French movie to American the way they translated le jouet to the toy ("The Toy" is what "Le Jouet" means in English). They only added a storyline about racism which suited (Pryor)'s character, and harmonized with the motif (as if slavery still exists, making the poor as the rich people's toy). And also, it utilized somehow the stepmother as a sexual toy herself. But overall nothing could reach to the original's special pace, or exceptional personality.
(Donner), with the 2 scriptwriter, lacked the French director (Francis Veber)'s smart touches while he was transforming his own short story into feature film; for example, at (Le Jouet), the rich man's villa was dark, the silence worked powerfully more than the talking, and it didn't go to repeat the domino's fall, or show off the stepmother's body !. Let alone, how here the adult joking is ruling, there is a purposed kick out of hearing the boy says "Boob", or else familiar matters. (Patrick Williams)'s music was very cute, but not up to (Vladimir Cosma)'s tender memorable score. And nothing can imitate the original's end, which's one of the most touching and expressing cinematic endings I've ever seen.
Have watched the original or not, this one is good, fresh and solid as an afternoon movie. In fact its good condition is a perfect proof of the original's beauty, though it's obvious that (The Toy) couldn't be as "unique" as (Le Jouet).
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