3 user 8 critic

Boat People (1982)

Tau ban no hoi (original title)
A Japanese photojournalist revisits Vietnam after the Liberation and learns harsh truths about its regime and its "New Economic Zones".


Ann Hui


Kang Chien Chiu (as Tai An-Ping Yau)
6 wins & 7 nominations. See more awards »




Credited cast:
Jianzhou Cai Jianzhou Cai ... Monitor
Tung-Sheng Chang Tung-Sheng Chang ... Doctor
Gamhung Cheung Gamhung Cheung ... Ah Thanh
Shui-Chiu Gan Shui-Chiu Gan
Hengbao Guo Hengbao Guo ... Leader of Team 15
Junyi Guo Junyi Guo ... Van Lang
Jialing Hao Jialing Hao ... Cam Nuong's Mother
Meiying Jia Meiying Jia ... Le Van Quyen
George Lam ... Shiomi Akutagawa
Andy Lau ... To Minh
Shujing Lin Shujing Lin ... Comrade Vu
Tao Lin Tao Lin ... Leader of Team 16
Season Ma Season Ma ... Cam Nuong
Pingmei Meng Pingmei Meng ... Mrs. Pham
Cora Miao ... Nguyen's Mistress
Learn more

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A Japanese reporter arrives in Vietnam hoping to capture the essence the society under the rule of the Communist Party. With the help of a vietnamese girl, he eventually opens his eyes to the painful truth of postwar Vietnam. Written by Cha <cha@hk.super.net>

Plot Summary | Add Synopsis




R | See all certifications »

Did You Know?


When Yun-Fat Chow turned down the role of To Minh, he recommended to producer Meng Xia a young actor, who had just worked with him on a TV series. Chow didn't know the actor by name. Leading man George Lam spoke of a young actor who played a small role in a movie starring Lam. The young actor made quite an impression and Lam thought the young man would fit in the role of To Minh. But he didn't know the actor by name. As the shooting began in Hainan Island and the role of To Minh was still undecided, the whole crew became anxious. Cinematographer David Chung suggested another young actor and Meng Xia went to meet with him. Xia finally cast the young actor as To Minh. The actor was Andy Lau, who happened to be the same unknown actor who Yun-Fat Chow and George Lam referred to. See more »


At the dinner a waiter pours a beer for the journalist with a head of 3-4 cm. After the cut to another angle, only 1 cm is left. See more »


Remade as The Killing Fields (1984) See more »


La Vie en Rose
Music by Louiguy
Lyrics by Édith Piaf
Performed by Édith Piaf
See more »

User Reviews

In celebration of Ann Hui's record-breaking 5th win of BEST DIRECTOR in HONG KONG FILM AWARDS!
26 April 2015 | by lasttimeisawSee all my reviews

In celebration of Ann Hui's record-breaking 5th win of BEST DIRECTOR in HONG KONG FILM AWARDS for her epic THE GOLDEN ERA (2014), which is also the eventual recipient of BEST PICTURE, it is an opportune time to track back her first win at the age of 35 for her fourth feature BOAT PEOPLE, which has established her as a pioneer in the New Wave movement of Hong Kong Cinema.

One requisite notion before watching this film is that the whole account is as fictional as in the movie where the entire Vietnamese populace including our Japanese protagonist, Shiomi Akutagawa (Lam), all speak fluent Cantonese. In fact, the script is a purely fabricated by the screenwriter Kang Chien Chiu, at a time when Hong Kong people were uncertain of their future and for fear of the social overhaul if Chinese Communist Party would eventually take over the colonised financial hub. Chiu's anti-communist slant is the elephant-in-the-room although Hui has tried to sidestep the politics-sensitive issue by emphasising that the film is more focused on personal struggle under the extreme circumstances.

Shot in Hainan island of China as a stand-in for a tropical Ho Chi Minh City, Shiomi is a Japanese photography who has been granted a license to shoot the new life of Vietnamese people under the government of Communist party after the Vietnam War. The commencing flourishing impressions are disrupted when Shiomi decides to roam the city alone without the company of the bureaucratic officials, soon, he is attracted by an impecunious girl Cam Nuong (Ma) on the street, who has two younger brothers and a sick mother (Hao) to raise. Slowly Shiomi realises all his previous photo-shooting visits are the front arranged with the government to give a grand veneer for foreigners, the harsh reality stuns Shiomi, he witnesses extreme poverty, the utter disregard for human life and death can happen anytime anywhere, no one cares, the poor refuses to be relocate to the so-called "new economic district" because young men are violently man-handled to manually remove land mines under cruel administration from the authorities. Disillusioned and unsettled by the darkness and savagery, Shiomi decides to help Cam Nuong and his younger brother flee from this country, but the sacrifice might exceed his expectation.

The film doesn't recoil at the blood-letting casualties, and the intensity of waiting for a land- mine to explode at any moment is excruciatingly taxing, although Hui doesn't intend to let those scenes to be too startling with long cues as a ballast. The murky and repressing air engulfs lives without hope, except fro Cam Nuong, she is precocious but has yet been contaminated by the vice around her, sincere laughters can still burst out between her and Shiomi, Season Ma injects a spirited purity and spunky pizazz into Cam Nuong in her career-debut performance. George Lam exhibits an affable persona as an outsider involuntarily elevated to be a true hero with unyielding ethical virtues.

This is also Andy Lau's screen-debut too, the subplot around him can evoke quite a harrowing weep. Cora Miao, who play's a 40-year-old mistress using her body as the leverage of survival under the tumultuous situation, configures a mesmerising presence with intriguing back-stories left unfinished. Mengshi Qi is Nguyen, the bureaucrat who finds a camaraderie in Shiomi, represents both the executioner and the victim of the government, his poetic reflection "The revolution of Vietnamese is successful, but my own revolution fails" - narrated beautifully with a golden sunset in the background.

The production looks a bit dated by today's standards, and certain editing hiccups are rather noticeable but if we can be impartial to the story's pejorative nature regarding to the Communist regime, the film is a well-considered ode to humanity and altruism when it is urgently needed, also more remarkably, it would be an impossible task for Ann Hui to get a green light under today's cinematic weather neither in mainland China nor in Hong Kong.

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Hong Kong

Release Date:

13 October 1982 (Hong Kong) See more »

Also Known As:

Boat People See more »

Filming Locations:

Hainan, China

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:




Aspect Ratio:

1.85 : 1
See full technical specs »

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