Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Michael Dorsey is an unemployed actor with an impossible reputation. In order to find work and fund his friend's play he dresses as a woman, Dorothy Michaels, and lands the part in a daytime drama. Dorsey loses himself in this woman role and essentially becomes Dorothy Michaels, captivating women all around the city and inspiring them to break free from the control of men and become more like Dorsey's initial identity. This newfound role, however, lands Dorsey in a hot spot between a female friend/'lover,' a female co-star he falls in love with, that co-star's father who falls in love with him, and a male co-star who yearns for his affection.Written by
Ellen Foley has a mostly non-verbal role as the assistant to the soap opera producer. Her character originally had dialogue, but it was cut because Foley was recording an album that hurt her speaking voice. See more »
In the party scene, when Michael (out of drag) meets Julie and lays "the line" on her, she throws a drink in his face. The drink hits the back of the man behind them. The man jumps, but doesn't turn around. When Michael turns to dry his face on the man's coat, the coat is dry - and Julie's glass still has champagne in it. See more »
Are you saying that nobody in New York will work with me?
No, no, that's too limited... nobody in Hollywood wants to work with you either. I can't even set you up for a commercial. You played a *tomato* for 30 seconds - they went a half a day over schedule because you wouldn't sit down.
Of course. It was illogical.
YOU WERE A TOMATO. A tomato doesn't have logic. A tomato can't move.
That's what I said. So if he can't move, how's he gonna sit down, George? I was a stand-up tomato: a juicy, sexy,...
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Dustin Hoffman is credited twice: Dustin Hoffman .... Michael Dorsey Dustin Hoffman .... Dorothy Michaels See more »
Possibly the best gender comedy of all time! Everything in this baby clicks: A script that is both clever, endearing and realistic in its depiction of the emotional transformation within Michael Dorsey, incredible acting performances (with Dustin Hoffman, Terri Garr and unbilled Bill Murray as standouts) and a great soundtrack that adds volumes to the mood of the film.
This is a 10! Watch it!
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