Ted Kramer's wife leaves him, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Michael Dorsey is an unemployed actor with an impossible reputation. In order to find work and fund his friend's play he dresses as a woman, Dorothy Michaels, and lands the part in a daytime drama. Dorsey loses himself in this woman role and essentially becomes Dorothy Michaels, captivating women all around the city and inspiring them to break free from the control of men and become more like Dorsey's initial identity. This newfound role, however, lands Dorsey in a hot spot between a female friend/'lover,' a female co-star he falls in love with, that co-star's father who falls in love with him, and a male co-star who yearns for his affection.Written by
Dustin Hoffman claimed that after playing Tootsie for the first time, he went home, burst into tears and confessed to his wife that playing a woman forced him to confront his own sexist perceptions of women he never realized he had. See more »
When Jessica Lange throws a drink in Dustin Hoffman's face, the drink can be seen splattered over the back of the man standing behind Hoffman. In the next scene, Hoffman walks up to this man and uses the back of the man's suit jacket to dry off his face. The jacket is now clearly dry. See more »
[waking up and seeing Michael as Dorothy]
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Dustin Hoffman is credited twice: Dustin Hoffman .... Michael Dorsey Dustin Hoffman .... Dorothy Michaels See more »
Remember when comedies used to be actual movies with actual stories with actual points and the funny just flowed out of them, instead of just a flimsy excuse to string together jokes and funny scenes and stock situations? Yeah, me too. What happened?
If you're in the mood for a great movie that will get you to cough up a boatload of honest laughs, then you ain't gonna do better than TOOTSIE. You are not going to find a better written, acted, and directed comedy anywhere. There are plenty as good - but none better. This is a career highpoint for all involved, and when "all" includes names such as Sydney Pollack and Dustin Hoffman, you know that's a sentiment that carries some significant weight.
And it just reaffirms the old adage that every single comedy should have Bill Murray in it.
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