After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
Two siblings and three of their friends en route to visit their grandfather's grave in Texas end up falling victim to a family of cannibalistic psychopaths And must survive the terrors of leatherface and his family.
A US research station, Antarctica, early-winter 1982. The base is suddenly buzzed by a helicopter from the nearby Norwegian research station. They are trying to kill a dog that has escaped from their base. After the destruction of the Norwegian chopper the members of the US team fly to the Norwegian base, only to discover them all dead or missing. They do find the remains of a strange creature the Norwegians burned. The Americans take it to their base and deduce that it is an alien life form. After a while it is apparent that the alien can take over and assimilate into other life forms, including humans, and can spread like a virus. This means that anyone at the base could be inhabited by The Thing, and tensions escalate.Written by
Actor Franklyn Ajaye came to read for Nauls but instead critiqued John Carpenter for fifteen minutes on the stereotypical nature of Nauls as a black character. The meeting ended in a frosty silence. See more »
(at around 8 mins) The overwhelming majority of people from Norway are taught English from a young age, and as a result, most Norwegians can speak fluent English or at least know very basic English vocabulary. In reality, it's practically impossible that there would be a language barrier between the Norwegians and the Americans like shown at the beginning of the film. See more »
In the original Australian video version of the scene between Bennings and Childs where Bennings comes running into the room and says to Childs, "Childs! Mac wants the flamethrower!" Childs turns to look at him, and the next scene starts. But in the DVD version of the film, the scene is extended when Bennings comes in and says "Childs! Mac wants the flamethrower!" then Childs asks, "Mac wants the what?" Bennings replies "You heard what he said now MOVE!" then Childs says lastly, "Dammit!" while getting his flamethrower gear on. See more »
Flips the scenario round from the original to great effect.
John Carpenter shows how much he loves the 1951 original by giving it the utmost respect that he possibly could, the only difference here is that Carpenter chooses to stick to the paranoiac core of John W Campbell Jr's short story.
The secret to this version's success is the unbearable tension that builds up as the group of men become suspicious of each other, the strain of literally waiting to be taken over takes a fearful hold. Carpenter then manages to deliver the shocks as well as the mystery that's needed to keep the film heading in the right direction.
Be it an horrific scene or a "what is in the shadow" sequence, the film is the perfect fusion of horror and sci-fi. The dialogue is laced with potency and viability for a group of men trying to keep it together under such duress, while Ennio Morricone's score is a wonderful eerie pulse beat that further racks up the sense of doom and paranoia seaming throughout the film.
The cast are superb, a solid assembly line of actors led by Carpenter favourite Kurt Russell, whilst the effects used around the characters get the right amount of impact needed. But most of all it's the ending that is the crowning glory, an ending that doesn't pander to the norm and is incredibly fitting for what has gone on before it. Lets wait and see what happens indeed. 10/10
147 of 169 people found this review helpful.
Was this review helpful to you?
| Report this