Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
A US research station, Antarctica, early-winter 1982. The base is suddenly buzzed by a helicopter from the nearby Norwegian research station. They are trying to kill a dog that has escaped from their base. After the destruction of the Norwegian chopper the members of the US team fly to the Norwegian base, only to discover them all dead or missing. They do find the remains of a strange creature the Norwegians burned. The Americans take it to their base and deduce that it is an alien life form. After a while it is apparent that the alien can take over and assimilate into other life forms, including humans, and can spread like a virus. This means that anyone at the base could be inhabited by The Thing, and tensions escalate.Written by
At the cast and crew screening, the actors including Kurt Russell believed the film had lost a lot of its relationship work due to the monster effects, and matte painter Albert Whitlock called the film offensive. Only Rob Bottin and his crew believed they had made something amazing. Most of the actors also changed their minds about the film in later years. See more »
(at around 1h 23 mins) After Palmer's blood leaps from the dish after being scorched by Mac's flamethrower, we see Palmer (David Clennon) morphing into a Thing-monster. Several men tied to a couch are now screaming in terror for their lives. We hear Nauls's (T.K. Carter) screaming loudly but when the camera catches some shots of Nauls, he's just sitting their placidly when the soundtrack simultaneously reveals him to be screaming. See more »
The Universal logo doesn't appear until right after the movie's over See more »
The audio commentary by John Carpenter and Kurt Russell which has been included since 2008 on all home media releases (domestic and internationally) was partly reedited for pacing and to better align the spoken words to what happens on screen. Additionaly, it was partly censored, for example by removing Russell's comments about Keith David allegedly driving a stolen car in New York. See more »
Right up there with "Halloween"--one of Carpenter's best!
Remake of the classic 1951 "The Thing From Another World". 12 men are in a completely isolated station in Antartica. They are invaded by a thing from outer space--it devours and completely duplicates anything it chooses to. It starts off as a dog but gets loose--and has a chance to duplicate any of the men. Soon, nobody trusts anyone else--they're isolated--the radio is destroyed--their helicopter likewise. What are they going to do?
The 1951 film had the thing just be a big, super human monster. That movie was scary. This one is too--but the story is different (and based more closely on the source material--the novelette "Who Goes There?") and it's scary in a different way. The movie starts right off with Ennio Morricone's extremely eerie score setting just the right tone and--when the Thing gets attacked--the amount of gore is astounding. There's blood and body parts flying all over--arms are bitten off, heads detach and--in the strongest one--one man is devoured face first by the Thing. The gore effects are STRONG and real nightmare material. I don't scare easy but I had to sleep with the lights on when I saw this originally back in 1982. Rob Bottin's effects are just incredible--how this picture got by with an R rating is beyond me!
It also has a very creepy feel--gore aside, it is very suspenseful. You're not sure who is what and Carpenter's direction and the score really build up the tension. One complaint--no one is given any distinctive personality traits. They actors just remain straight-faced and say their lines. That's annoying...but the movie still works.
This was a critical and commercial disaster in 1982--it competed with "E.T." and MANY critics complained about the amount of gore and there being no female characters in the movie. It's now considered one of John Carpenter's best. A must-see...for strong stomaches. NOT a date film!
An amusing note: When this was released Universal sent a note along with all prints of the film. They suggested to theatre owners that they play the film in an auditorium near the rest rooms. They were afraid that people would be so sickened by the violence that they'd have to be close to a facility to throw up!
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