On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochran makes his maiden flight reaching warp speed.
The Enterprise is diverted to the Romulan homeworld Romulus, supposedly because they want to negotiate a peace treaty. Captain Picard and his crew discover a serious threat to the Federation once Praetor Shinzon plans to attack Earth.
The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful Romulan from the future creates black holes to destroy the Federation one planet at a time.
It is the 23rd century. Admiral James T. Kirk is an instructor at Starfleet Academy and feeling old; the prospect of attending his ship, the USS Enterprise--now a training ship--on a two-week cadet cruise does not make him feel any younger. But the training cruise becomes a deadly serious mission when his nemesis Khan Noonien Singh--infamous conqueror from late 20th century Earth--appears after years of exile. Khan later revealed that the planet Ceti Alpha VI exploded, and shifted the orbit of the fifth planet as a Mars-like haven. He begins capturing Project Genesis, a top secret device holding the power of creation itself, and schemes the utter destruction of Kirk.Written by
Gregory A. Sheets <email@example.com>
This film marks the first appearance in the Star Trek franchise of an isolation door in main engineering. It can be seen lowering during the "surprise attack" sequence following Khan's hijacking of the Reliant. That door later became the shuttlebay door on the Enterprise-D. See more »
In the wide-screen director's cut edition, while the crew of the Enterprise scrambles to prepare for battle with the Reliant after the away team beams up from the Genesis Cave, a male African-Amercian crew member in the torpedo bay is seen opening the circular airlock doors with one hand and speaking to others off-screen revealing the light-weight of the prop. See more »
Captain's log: Stardate 8130.3. Starship Enterprise on training mission to Gamma Hydra, section 14, coordinates 22-87-4. Approaching Neutral Zone; all systems normal and functioning.
Leaving section 14 for section 15.
Standby. Project parabolic course to avoid entering Neutral Zone.
See more »
After the opening credits: "In the 23rd century..." See more »
A "Director's Edition" was released on DVD in August 2002, which features three minutes of footage not in the theatrical release: (NOTE: The Director's Edition does NOT use the ABC-TV version of Kirk and Saavik's conversation in the turbolift, which was more "steamy" and used close-ups (instead of one long "master" shot). Also, unlike, the ABC-TV version, all "Ceti eel" scenes are NOT edited for content.)
Expanded conversation between Kirk and McCoy in Kirk's apartment about his birthday gift, the glasses. Also, McCoy now says "For most patients your age, I'd usually administer Retinax Five". This is an alternate take, since in the theatrical version, he says "recommend" instead of "administer" (Seen in ABC-TV version).
Conversation between Kirk and Midshipman Preston in the Enterprise engine room, with Scotty revealing that Preston is his nephew. Also, the "take" at the scene's end with Kirk addressing Scott and McCoy asking "Admiral, what about the rest of the inspection?" is different from the one seen in the theatrical version. Kirk's dialogue is also slightly different. (Seen in ABC-TV version).
The scene where Chekov informs Dr. Marcus and her team about their new "orders" via com-pic has been expanded. Carol Marcus now asks "Who gave the order", and the mind-controlled Chekov dances around the answer a bit before David says, "Pin him down, mother" (Seen in ABC-TV version).
The scene where the scientists at Regula One argue about Starfleet's "order" is a different take, and has been expanded at the end to show Carol Marcus telling everyone to pack their things up so they can depart before the Reliant arrives. (Seen in ABC-TV version).
McCoy and Spock's argument about Genesis in Kirk's cabin has been slightly expanded. They discuss what might happen if Genesis fell into the wrong hands, and whose hands are the "right" ones. Kirk attempts to break the two up, but Spock cuts him off with a comeback to McCoy (Seen in ABC-TV version).
Preston's death in Sickbay has been expanded. Preston now says "Aye" and dies in close-up (instead of in the medium shot with Preston's back to the camera and the others visible around the table seen in the theatrical version) Scotty asks why Khan wants revenge. McCoy's line, "I'm sorry Scotty" now comes in the middle of the scene, instead of at the end. After Spock informs Kirk via intercom that impulse power is restored, McCoy and Kirk talk a bit longer, and Kirk says they only survived because he knew something Khan didn't about starships (Seen in ABC-TV version).
An added shot of Kirk, Spock and Saavik climbing a ladder between decks has been added, in which Kirk says, "That young man is my son", and Spock replies, "Fascinating". Also, the music in the scene has been "looped" to account for this added shot, but it "loops" at an earlier point than in the ABC-TV version. This makes the music flow better, instead of repeating the same bit of music twice in succession.
An extension occurs as the Enterprise approaches the Mutara Nebula. Saavik wonders if Reliant will follow them in, and Spock states that he must remember to teach her about the human ego. The music is "looped" at a different point than in the ABC-TV version to accommodate this extension, and it is thus much less distracting.
I've always held a special place in my heart and mind for this second installment in the "Star Trek" movie series. Mostly, because this is a movie that appeals to both places.
Not only is this movie loaded with the original characters from the series, it also touches on such subjects as revenge, family, duty, age and, of course, sacrifice. That was the best thing about the series - that it touched on topics that were (pardon the expression) universal, no matter the species.
Everyone is uniformly fine right down the line, especially Montalban's Khan (returned from the "Space Seed" episode of the original series); all hatred, vengeance and single-minded of desire to see his enemy laid out before him. Namely, Kirk.
Alley is rather fetching as Saavik and it's a shame she wasn't carried over to the next film. I can't help but, seeing her on TV anymore, to expect her to raise an eyebrow in contemplation. Buttrick makes a complex character out of David, the son Kirk never knew he had. Hurt feelings and resentment meld somewhat explosively with a new-found father/son relationship.
And what can one say about Spock, Bones, Sulu, Chekov, Uhura and Scotty? They are characters all of us grew up with and, pivotal to the plot at hand or not, it's always good to see them.
For anyone who hasn't seen the movie, I won't discuss it in great detail. The story is simple enough (scientists find way to rejuvenate life on dead planets; Khan finds escape from prison planet, vows revenge on Kirk), but there is one plot point that will, if you are unfamiliar with it, blow you away. Suffice it to say, never has friendship been elocuted so well in this or any movie before or since.
Ten stars and a special Kobuyashi Maru simulation for "Star Trek: The Wrath of Khan". Watch it: it'll make you feel young again.
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