Ted Kramer's wife leaves him, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
A look at the lives of the strong-willed women of the Weston family, whose paths have diverged until a family crisis brings them back to the Oklahoma house they grew up in, and to the dysfunctional woman who raised them.
Sophie is the survivor of Nazi concentration camps, who has found a reason to live with Nathan, a sparkling if unsteady American Jew obsessed with the Holocaust. They befriend Stingo, the movie's narrator, a young American writer new to New York City. But the happiness of Sophie and Nathan is endangered by her ghosts and his obsessions.Written by
Included among the American Film Institute's 1998 list of the 400 movies nominated for the Top 100 Greatest American Movies. See more »
When Nathan toasts Stingo on the bridge, as the shot pulls back you see first one then several cars from 1982, obviously an issue with how long they could hold up the bridge traffic for the shot, they needed to hold it up an extra minute or maybe lacked the budget to pay for late 40's cars to drive by instead. You can also see the lights of The River Cafe, a waterfront restaurant under the bridge that didn't open until 1977. See more »
It was 1947, two years after the war, when I began my journey to what my father called the Sodom of the north, New York. They called me Stingo, which was the nick name I was known by in those days, if I was called anything at all.
See more »
CBS edited 12 minutes from this film for its 1986 network television premiere. See more »
The finest performance by an actress in the history of film.
'Sophie's Choice' should be compulsory viewing for any member of the voting panel who decide Academy Award winners. Quite simply, Meryl Streep's performance is THE benchmark for that 'Best Actress' category. I've seen a LOT of films, but not one performance has ever (and will ever) match her's. The manner in which she embodies Sophie goes beyond explanation. It is too accomplished and moving for words. It is almost offensive to think that Julia Roberts was awarded the same statue for Erin Brockovich'!
Aside from the breathtaking central performance from the marvellous Ms Streep, there are so many other reasons to see this film. Kevin Kline and Peter MacNicol are excellent, the cinematography is beautiful (particularly the shots of Brooklyn Bridge) the score is haunting ... I could go on.
Although certain critics have berated 'Sophie's Choice' as a mere platform for Meryl Streep as an actress, I urge you to overlook this view. The film succeeds admirably in bringing to horrific life an event in history which we should all be made aware of. It is undeniable that the phenomenal performance of MS leaves you spellbound, but NOT at the expense of being horrified and affected by what you have seen. All I can say to sum up is: just see it. An intelligent and profoundly moving film which will (I promise you) live on in your memory long after the closing credits.
158 of 200 people found this review helpful.
Was this review helpful to you?
| Report this