Carrie White, a shy, friendless teenage girl who is sheltered by her domineering, religious mother, unleashes her telekinetic powers after being humiliated by her classmates at her senior prom.
A group of camp counselors are stalked and murdered by an unknown assailant while trying to reopen a summer camp which, years before, was the site of a child's drowning.
Director:
Sean S. Cunningham
Stars:
Betsy Palmer,
Adrienne King,
Jeannine Taylor
Two siblings and three of their friends en route to visit their grandfather's grave in Texas end up falling victim to a family of cannibalistic psychopaths.
A year after the murder of her mother, a teenage girl is terrorized by a new killer, who targets the girl and her friends by using horror films as part of a deadly game.
Director:
Wes Craven
Stars:
Neve Campbell,
Courteney Cox,
David Arquette
A young family are visited by ghosts in their home. At first the ghosts appear friendly, moving objects around the house to the amusement of everyone, then they turn nasty and start to terrorise the family before they "kidnap" the youngest daughter.Written by
Rob Hartill
(At 34 minutes into the film) There is a "jump cut" from the scene where Diane is explaining to Steven about the feeling you get when the spirit pulls you across the floor. The scene jumps mid sentence to the scene where they are both on their neighbor's doorstep, again in mid sentence. The reason for the cut was because in the original scene, director Steven Spielberg says how he hates Pizza Hut. The scene was edited (rather crudely) after Pizza Hut took offence. See more »
Goofs
In the 'Ask Dad" scene: Just before Carol Anne starts to participate in the 'ask dad', she is just about to put a knife into her mouth with her right hand. Then, the knife is suddenly gone. See more »
Quotes
[first lines]
Carol Anne Freeling:
Hello? What do you look like? Talk louder, I can't hear you! Hey, hello! Hello, I can't hear you! Five. Yes. Yes. I don't know. I don't know.
See more »
Crazy Credits
The initial end credits has the closing shot of the Holiday Inn as a backdrop. See more »
Alternate Versions
For ABC's 1985 network television premiere, Marty's hallucination is altered so instead of him ripping his own face off, he sees his face rapidly deteriorate briefly. See more »
The Star-Spangled Banner
(1814) (uncredited)
Music based on "The Anacreontic Song" by John Stafford Smith
Arranged by Arturo Toscanini
[Played as TV sign-off music several times] See more »
What do you get when you put Steven Spielberg, Tobe Hooper, Jerry Goldsmith, and Beatrice Straight in a big budget MGM motion picture about a haunted house? You get "Poltergeist" a top of the pick, no holds barred, roller coaster ride through the supernatural world and back to ours. "Poltergeist" explores the side affects of a haunted house and it's effects on a normal suburban family who inhabits the house.
Steve Freeling is a successful realestate agent who has a nice house and a loving wife, with a family to die for. There is the spunky, rebellious eldest daughter, as portrayed gloriously by the late Dominique Dunne, may she rest in peace. The sporty young son, and the cute, innocent youngest daughter, Carol Ann, of whom the story is based around. The Freelings' are a happy American family whose lives are turned upside down when they realize their house in 'haunted' and the 'poltergeists' kidnap the youngest member of the family. In the film that pursues, Steve and his wife Diane do everything in their power to get her back, with the aid of Dr. Lesh, played out Oscar worthy by Beatrice Straight, and her assistants. Horrors and traumas ensue.
Enough power to knock you out of your dreams for long time, this film, was said to be directed by Tobe Hooper, whom had previous fame with the Texas Chainsaw Massacre. But when one watches this film, it is anything but Hooper. Hooper's trademarks include hysteria and screaming by a young female in the finale of his films(remember 'Eaten Alive?') and have no real substance or depth in their plots, what you see is what you get. Whereas this film, said to be produced by Spielberg, was so obviously directed(on the side anyway)by also, as his trade marks include psychological P.O.V. shots(Diane Freeling in the hallway scene) and wide range of character development(all characters except for Dana are developed to fruition, but Dunne does such a great job as Dana that you can't really tell.)There was even controversy over who directed the film, and still stands so today, although Spielberg came forward a little after the film was released, and exposed himself as only producer and assistant to the director, still, rumor is still hovering over the memory of the production.
The music to the film is superb, with Goldsmith clearly at one of his best moments, nominated but did not win, although he should have. His theme for the Freelings' is a calm, gentle one that compliments his theme for Carol Ann, which is quite possibly one of the prettiest themes he ever concocted. His score for the ghosts consists of structured, spiritual themes and rough orchestral brass woodwind, accompanied by a grand chorus. All other themes he came up with were just as stand out-ish as the above mentioned.
The acting is top notch, by conflicted Steve Freeling, who is so confused he self destructs into a pale maelstrom in his mind, and Diane, the mother and star of the film, Jobeth Williams is at her finest as she deals with the stress of trying to find her daughter, and keeping her family afloat amidst the chaos. The children are all really good under Hooper's(Spielberg's?) direction, particularly Dominique Dunne, who shines through in all scenes she is in, even though her character has got to be the most underdeveloped! Robbie is fun to watch, as all little boys will be boys. And who could forget the cute Carol-Ann...They're Heeeeere! Enough said. But my personal favorite was the late Beatrice Straight, as the sympathetic Dr. Lesh, who with every facial expression, the audience can see what exactly she is thinking, about to say, and still manages to surprise the audience with her spontaneous acting skill. The supporting cast are just as great.
Special effects make this even more of a thrill ride of the ages, as Industrial Light and Magic was first starting out, and makes this one of the biggest special effects fest of cinema. Nominations for those also.
So in full circle, this family, this film, the most extraordinary horror film of the eighties, still has the power to ring every chill out of it's script, while still managing to keep the audience calm with it's realism, and relief.
And about the curse that is said to follow the series' past, all just tragedies and coincidence.
May Dominique Dunne, Beatrice Straight, Heather O' Rourke, Jerry Goldsmith, all rest in peace.
10/10
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What do you get when you put Steven Spielberg, Tobe Hooper, Jerry Goldsmith, and Beatrice Straight in a big budget MGM motion picture about a haunted house? You get "Poltergeist" a top of the pick, no holds barred, roller coaster ride through the supernatural world and back to ours. "Poltergeist" explores the side affects of a haunted house and it's effects on a normal suburban family who inhabits the house.
Steve Freeling is a successful realestate agent who has a nice house and a loving wife, with a family to die for. There is the spunky, rebellious eldest daughter, as portrayed gloriously by the late Dominique Dunne, may she rest in peace. The sporty young son, and the cute, innocent youngest daughter, Carol Ann, of whom the story is based around. The Freelings' are a happy American family whose lives are turned upside down when they realize their house in 'haunted' and the 'poltergeists' kidnap the youngest member of the family. In the film that pursues, Steve and his wife Diane do everything in their power to get her back, with the aid of Dr. Lesh, played out Oscar worthy by Beatrice Straight, and her assistants. Horrors and traumas ensue.
Enough power to knock you out of your dreams for long time, this film, was said to be directed by Tobe Hooper, whom had previous fame with the Texas Chainsaw Massacre. But when one watches this film, it is anything but Hooper. Hooper's trademarks include hysteria and screaming by a young female in the finale of his films(remember 'Eaten Alive?') and have no real substance or depth in their plots, what you see is what you get. Whereas this film, said to be produced by Spielberg, was so obviously directed(on the side anyway)by also, as his trade marks include psychological P.O.V. shots(Diane Freeling in the hallway scene) and wide range of character development(all characters except for Dana are developed to fruition, but Dunne does such a great job as Dana that you can't really tell.)There was even controversy over who directed the film, and still stands so today, although Spielberg came forward a little after the film was released, and exposed himself as only producer and assistant to the director, still, rumor is still hovering over the memory of the production.
The music to the film is superb, with Goldsmith clearly at one of his best moments, nominated but did not win, although he should have. His theme for the Freelings' is a calm, gentle one that compliments his theme for Carol Ann, which is quite possibly one of the prettiest themes he ever concocted. His score for the ghosts consists of structured, spiritual themes and rough orchestral brass woodwind, accompanied by a grand chorus. All other themes he came up with were just as stand out-ish as the above mentioned.
The acting is top notch, by conflicted Steve Freeling, who is so confused he self destructs into a pale maelstrom in his mind, and Diane, the mother and star of the film, Jobeth Williams is at her finest as she deals with the stress of trying to find her daughter, and keeping her family afloat amidst the chaos. The children are all really good under Hooper's(Spielberg's?) direction, particularly Dominique Dunne, who shines through in all scenes she is in, even though her character has got to be the most underdeveloped! Robbie is fun to watch, as all little boys will be boys. And who could forget the cute Carol-Ann...They're Heeeeere! Enough said. But my personal favorite was the late Beatrice Straight, as the sympathetic Dr. Lesh, who with every facial expression, the audience can see what exactly she is thinking, about to say, and still manages to surprise the audience with her spontaneous acting skill. The supporting cast are just as great.
Special effects make this even more of a thrill ride of the ages, as Industrial Light and Magic was first starting out, and makes this one of the biggest special effects fest of cinema. Nominations for those also.
So in full circle, this family, this film, the most extraordinary horror film of the eighties, still has the power to ring every chill out of it's script, while still managing to keep the audience calm with it's realism, and relief.
And about the curse that is said to follow the series' past, all just tragedies and coincidence.
May Dominique Dunne, Beatrice Straight, Heather O' Rourke, Jerry Goldsmith, all rest in peace.
10/10