A young family are visited by ghosts in their home. At first the ghosts appear friendly, moving objects around the house to the amusement of everyone, then they turn nasty and start to terrorise the family before they "kidnap" the youngest daughter.Written by
When Carol-Ann sits in front of the TV in her parents bedroom, the time on the TV-set shows 2.37. This could very well be an homage to the hotel-room nr.237 in The Shining (1980). See more »
Before the dog walks into Dana's room to grab the bag of chips, just before he pushes the door open, you can see someone walk past the door which is already ajar. See more »
Carol Anne Freeling:
Hello? What do you look like? Talk louder, I can't hear you! Hey, hello! Hello, I can't hear you! Five. Yes. Yes. I don't know. I don't know.
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After the credits and the logo of the MGM lion is shown, we hear children laughing. Fans of the film have assumed that the laughing children are those who have been released from the beast and have crossed over the threshold into the next life. See more »
I noticed that IMDb lists the release dates for films, and laughed here because I could never forget Friday, June 4, 1982, my last day in tenth grade, and about my tenth date with the exceptionally pretty and wonderful young lady I dated throughout most of high school. The weather was perfect, and I took my ladyfriend out for a nice lunch and a walk down Broadway in search of a movie. ET had been the hyped Spielberg film of that summer, but this one was already out, and the thought of a horrified hottie clinging to me for dear life (or vice versa) was irresistible. Poltergeist it was.
Like all Spielberg films, one will not find many weaknesses. The plot will be engaging, the visuals stunning, the acting excellent, and the overall experience first-class. This film did not disappoint.
The restrospectively amusing casting of Craig T. Nelson in the lead. Notable supporting cast include the late Dominique Dunne and the late Healther O'Rourke, both of whom would die tragically in 1988 and 1982, respectively, the earlier by domestic violence and the latter by illness. The loss to Hollywood is still felt to this day as each would likely have Oscars by now. The cast of competent, moderately known talents provided a strong yet muted substance to the special-effects stylings for which Spielberg became so famous.
As I settled in with my date to watch the film, I was equally enthralled both by her touch and the screen. From the moment O'Rourke uttered the to-this-day-chilling "They're here!!," through the amusing plot twist that explains the hauntings (a certain home developer forgot to do something with the gravesite that had previously existed on the land and apparently ticked off some spirits), though the death, destruction, and absolute terror experienced by the hapless protagonist family.
I will never again be fifteen, never again experience the deep cuts to the heart that come with teenage desire, never again wonder if maybe those horror movies could happen in real life, never again will experience the thrill of not having school or any other responsibilities for the next three months, and will never again be as vital or physically capable as I was so effortlessly back then, but to have had that even once, all at the same time, in the greatest city in the world, was absolutely awesome.
Whatever might have been wrong with my life at that age simply did not exist in that theater, during that film, with that date. Anything less than a perfect film would have spoiled what was literally a perfect day. It didn't.
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