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Poltergeist (1982)

PG | | Horror, Thriller | 4 June 1982 (USA)
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2:26 | Trailer

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A family's home is haunted by a host of demonic ghosts.

Director:

Tobe Hooper

Writers:

Steven Spielberg (screenplay), Michael Grais (screenplay) | 2 more credits »
Reviews
Popularity
654 ( 391)
Nominated for 3 Oscars. Another 4 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Craig T. Nelson ... Steve Freeling
JoBeth Williams ... Diane Freeling (as Jobeth Williams)
Beatrice Straight ... Dr. Lesh
Dominique Dunne ... Dana Freeling
Oliver Robins ... Robbie Freeling
Heather O'Rourke ... Carol Anne Freeling
Michael McManus ... Ben Tuthill
Virginia Kiser ... Mrs. Tuthill
Martin Casella Martin Casella ... Marty
Richard Lawson ... Ryan
Zelda Rubinstein ... Tangina
James Karen ... Mr. Teague
Lou Perryman Lou Perryman ... Pugsley (as Lou Perry)
Clair E. Leucart Clair E. Leucart ... Bulldozer Driver (as Clair Leucart)
Dirk Blocker ... Jeff Shaw
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Storyline

A young family are visited by ghosts in their home. At first the ghosts appear friendly, moving objects around the house to the amusement of everyone, then they turn nasty and start to terrorise the family before they "kidnap" the youngest daughter. Written by Rob Hartill

Plot Summary | Plot Synopsis

Taglines:

The first real ghost story. See more »

Genres:

Horror | Thriller

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

4 June 1982 (USA) See more »

Also Known As:

Poltergeist See more »

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Box Office

Budget:

$10,700,000 (estimated)

Opening Weekend USA:

$6,896,612, 6 June 1982, Wide Release

Gross USA:

$76,606,280

Cumulative Worldwide Gross:

$123,606,280
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (original cut)

Sound Mix:

Dolby Stereo (35 mm prints)| 70 mm 6-Track (70 mm prints)

Color:

Color (Metrocolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Though on-screen credit goes to Tobe Hooper, a wealth of evidence suggests that most of the directorial decisions were made by Steven Spielberg. In fact, Spielberg had wanted to direct the film himself, but a clause in his contract stated that while still working on E.T. the Extra-Terrestrial (1982), Spielberg could not direct another film. Hooper, though, had developed the film with Spielberg, and if Spielberg had wanted to wrest the film away from Hooper, it would have caused a rift between the filmmakers. Members of the cast and crew, including Executive Producer Frank Marshall and actress Zelda Rubinstein, have stated that Spielberg cast the film, directed the actors (though this has been often contested by several other performers), and designed every single storyboard for the movie himself (although Hooper has maintained he both collaborated on and did fully half of the storyboards). Based on this evidence, the DGA opened a probe into the matter, but found no reason that co-director credit should go to Spielberg. See more »

Goofs

During the tree/abduction scenes, it is pouring rain in some shots, but not in others. See more »

Quotes

[first lines]
Carol Anne Freeling: Hello? What do you look like? Talk louder, I can't hear you! Hey, hello! Hello, I can't hear you! Five. Yes. Yes. I don't know. I don't know.
See more »

Crazy Credits

The Star Spangled Banner, playing on the Freeling's TV set is heard over the initial opening credits. See more »

Alternate Versions

For ABC's 1985 network television premiere, Marty's hallucination is altered so instead of him ripping his own face off, he sees his face rapidly deteriorate briefly. See more »

Connections

Referenced in The Making of 'Stupid Teenagers Must Die!' (2007) See more »

Soundtracks

It Knows What Scares You
(uncredited)
Written, Music and Performed by Jerry Goldsmith
See more »

Frequently Asked Questions

See more »

User Reviews

 
One of the best horror films of all time.
2 February 2005 | by TruPretenderSee all my reviews

What do you get when you put Steven Spielberg, Tobe Hooper, Jerry Goldsmith, and Beatrice Straight in a big budget MGM motion picture about a haunted house? You get "Poltergeist" a top of the pick, no holds barred, roller coaster ride through the supernatural world and back to ours. "Poltergeist" explores the side affects of a haunted house and it's effects on a normal suburban family who inhabits the house.

Steve Freeling is a successful realestate agent who has a nice house and a loving wife, with a family to die for. There is the spunky, rebellious eldest daughter, as portrayed gloriously by the late Dominique Dunne, may she rest in peace. The sporty young son, and the cute, innocent youngest daughter, Carol Ann, of whom the story is based around. The Freelings' are a happy American family whose lives are turned upside down when they realize their house in 'haunted' and the 'poltergeists' kidnap the youngest member of the family. In the film that pursues, Steve and his wife Diane do everything in their power to get her back, with the aid of Dr. Lesh, played out Oscar worthy by Beatrice Straight, and her assistants. Horrors and traumas ensue.

Enough power to knock you out of your dreams for long time, this film, was said to be directed by Tobe Hooper, whom had previous fame with the Texas Chainsaw Massacre. But when one watches this film, it is anything but Hooper. Hooper's trademarks include hysteria and screaming by a young female in the finale of his films(remember 'Eaten Alive?') and have no real substance or depth in their plots, what you see is what you get. Whereas this film, said to be produced by Spielberg, was so obviously directed(on the side anyway)by also, as his trade marks include psychological P.O.V. shots(Diane Freeling in the hallway scene) and wide range of character development(all characters except for Dana are developed to fruition, but Dunne does such a great job as Dana that you can't really tell.)There was even controversy over who directed the film, and still stands so today, although Spielberg came forward a little after the film was released, and exposed himself as only producer and assistant to the director, still, rumor is still hovering over the memory of the production.

The music to the film is superb, with Goldsmith clearly at one of his best moments, nominated but did not win, although he should have. His theme for the Freelings' is a calm, gentle one that compliments his theme for Carol Ann, which is quite possibly one of the prettiest themes he ever concocted. His score for the ghosts consists of structured, spiritual themes and rough orchestral brass woodwind, accompanied by a grand chorus. All other themes he came up with were just as stand out-ish as the above mentioned.

The acting is top notch, by conflicted Steve Freeling, who is so confused he self destructs into a pale maelstrom in his mind, and Diane, the mother and star of the film, Jobeth Williams is at her finest as she deals with the stress of trying to find her daughter, and keeping her family afloat amidst the chaos. The children are all really good under Hooper's(Spielberg's?) direction, particularly Dominique Dunne, who shines through in all scenes she is in, even though her character has got to be the most underdeveloped! Robbie is fun to watch, as all little boys will be boys. And who could forget the cute Carol-Ann...They're Heeeeere! Enough said. But my personal favorite was the late Beatrice Straight, as the sympathetic Dr. Lesh, who with every facial expression, the audience can see what exactly she is thinking, about to say, and still manages to surprise the audience with her spontaneous acting skill. The supporting cast are just as great.

Special effects make this even more of a thrill ride of the ages, as Industrial Light and Magic was first starting out, and makes this one of the biggest special effects fest of cinema. Nominations for those also.

So in full circle, this family, this film, the most extraordinary horror film of the eighties, still has the power to ring every chill out of it's script, while still managing to keep the audience calm with it's realism, and relief.

And about the curse that is said to follow the series' past, all just tragedies and coincidence.

May Dominique Dunne, Beatrice Straight, Heather O' Rourke, Jerry Goldsmith, all rest in peace.

10/10


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