Rock star Pink Floyd is a tortured soul. Because of his childhood, he has always tried to make meaningful emotional connections to other living creatures. That childhood includes not having a male role model with his father having been killed in the war, his overprotective mother smothering him, and an oppressive school system quashing his natural creativity. Being a rock star, he is often wanted more because of what he is than who he is. The most recent failure in that true connection to someone or something else is his marriage, when on tour, he discovers that his wife back home is cheating on him. His response is to go in the opposite direction, by building a figurative wall around him to isolate himself from the rest of the world, but not before showing graphically his feelings on different gut levels. The question becomes if he or anyone else can do anything to tear down the wall in a meaningful way.Written by
Bob Geldof is terrified of blood and found the razor blade scene extremely difficult to film. He was only supposed to shave his eyebrows. Feeling himself seized by the role, he improvised the scene and shaved his entire body. This scene was inspired by Pink Floyd founder Syd Barrett (as was much of the album), who became mentally ill and left the band in the late 1960s. According to the band, Barrett once left a crowded dinner party, went home, shaved his head, and went back, acting as though it was the most normal thing in the world. Some of the people who were close to Syd during his decline had to leave the theater during the scene, because they found it so disturbing. See more »
In the "Is there Anybody Out There" sequence, when Pink is clawing at the wall, the blood on his hand (from the previous, hotel-trashing scene) switches hands repeatedly. See more »
So ya, thought ya might like to, go to the show. To feel the warm thrill of confusing that space cadet glow. Tell me is something eluding you sunshine? Is this not what you expected to see? If you wanna find out what's behind these cold eyes, you'll just have to claw your way through this disguise!
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The DVD release has footage for "Hey you" that was cut on the theatrical release. Much of this footage was used in other scenes of the movie (a fight between the police and rioters, Pink and the giant wall...) See more »
Roger Waters has weaved a compelling visual of the journey of a disturbed and misled mind. Though the viewer is sometimes left to sort out obscure animations and confusing images, it is not without direction. Subsequent viewings of this film reveal substance that only a genius could imbue in his writing. Character development through such subtle action in places casts a light upon Roger Waters as a person who understands the frailty of the human mind. The main character, Pink, portrays angles of the human condition we all face at some point by embodying a victimized character: sick over the loss of his father to the war; negatively spotlighted at school for talents that are apparently unfavorable at the time; unable or just unwilling to relate to his wife; and ultimately shut off from effectively relating to others because of an inability to express himself in ways that others understand.
Not only is the story captivating, but the music is such that it will always be noted as not only ahead of its time, but timeless.
The Wall is a masterpiece of storytelling, but not in the traditional sense. One must not watch this film expecting everything on a silver platter. Symbolism and metaphors abound, leaving a great deal of interpretation and adaptation to the viewer. Sit with an open mind and let Waters' character help you read into yourself.
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