Live versions of the songs, filmed in an old Pompeii amphitheater. Songs included are Echoes (split into 2 parts), Careful with that axe, Eugene, A saucerful of secrets, One of those days, ... See full summary »
Longer than a music video, shorter than a feature film, this is essentially a short film version of Pink Floyd's album "The Final Cut". As such, the visual material is much the same as a ... See full summary »
Rock star Pink Floyd is a tortured soul. Because of his childhood, he has always tried to make meaningful emotional connections to other living creatures. That childhood includes not having a male role model with his father having been killed in the war, his overprotective mother smothering him, and an oppressive school system quashing his natural creativity. Being a rock star, he is often wanted more because of what he is than who he is. The most recent failure in that true connection to someone or something else is his marriage, when on tour, he discovers that his wife back home is cheating on him. His response is to go in the opposite direction, by building a figurative wall around him to isolate himself from the rest of the world, but not before showing graphically his feelings on different gut levels. The question becomes if he or anyone else can do anything to tear down the wall in a meaningful way.Written by
Roger Waters, David Gilmour and Nick Mason were the only members of Pink Floyd who attended the film's premiere, at the Empire Theatre in London's Leicester Square on July 14, 1982 - the fourth and final member Richard Wright had been fired from the band, though he returned for the The Wall tour in the following months. Mason did not attend the New York premiere a few days later. Gerald Scarfe was in town but was off playing pool, since he couldn't "bear to see the film again." See more »
When Pink throws the television out the window before he cuts his hand, he mouths "Take that, fuckers!", but we hear "Next time, fuckers!" (This is corrected in the DVD release of "The Wall") See more »
So ya, thought ya might like to, go to the show. To feel the warm thrill of confusing that space cadet glow. Tell me is something eluding you sunshine? Is this not what you expected to see? If you wanna find out what's behind these cold eyes, you'll just have to claw your way through this disguise!
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The final shot in the "Another Brick In The Wall, part 2" sequence, showing Young Pink and the Islington Green School class of 1951 throwing the Teacher into the bonfire, was deleted from the UK theatrical and Canadian VHS versions of the film, out of concern that actual children would try the stunt at home. See more »
A fascinating story about fascism - WARNING! Psychoanalytic content
The opening tracking shot of a hotel hallway that resembles a prison should clue you in as to what awaits. There are so many things to like and be fascinated by in this movie. And for all of its avant-garde leanings, this is actually a very classically designed story. An iconoclastic music star, Pink Floyd, tries/tries not to think about his past and how he got to where he is, which is borderline psychotic. And because he's so disturbed, he can't even think in a linear way, so the journey we take into his mind is necessarily whacked-out.
We also get to see how fascism is born from misdirected hate and idolatry. As a rock star, Floyd has seen the adulation of his audiences, so he's familiar with the phenomenon. But at the same time, he detests them for buying into his act. It's like the old Groucho Marx joke about refusing membership to any group who would let you in. He knows he's a fake (his teachers and people like his wife have told him so), so everyone else who thinks he's real must be fakes also. It's a big cyclic game. So he can't let any of them in, behind his wall, because they are, by definition, phony.
It's interesting, also, to think about how he has turned full circle into fascism. It's just part of his dream and how he deals with his anger, but it's also an interesting reaction to the absent father. Had there been no homosexuals or Jews etc., there would have been no need for a Hitler, and therefore there would have been no need for his father to die. But instead of hating Nazis, he hates the people that "provoked" the Nazis. (I could go on for days with stuff like this, but I'll stop here.)
Just watch the movie and be impressed with the way it works on so many levels.
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