A morgue attendant is talked into running a brothel at his workplace after a deceased pimp is sent there. However, the pimp's killers don't look too kindly on this new 'business', nor does the morgue's owner.
Four mental patients on a field trip in New York City must save their caring chaperon, who ends up being taken to a hospital in a coma after accidentally witnessing a murder, before the killers can find him and finish the job.
An ice hockey star is accosted by a youth gang who attempt to rob him; after he chases them off he catches the youngest member and gives him a ride home, where he meets the boy's mother. A ... See full summary »
Maria Conchita Alonso,
A nebbish of a morgue attendant gets shunted back to the night shift where he is shackled with an obnoxious neophyte partner who dreams of the "one great idea" for success. His life takes a bizarre turn when a prostitute neighbour complains about the loss of her pimp. His partner, upon hearing the situation, suggests that they fill that opening themselves using the morgue at night as their brothel. Against his better judgement, he gets talked into the idea, only to find that it's more than his boss that has objections to this bit of entrepreneurship.Written by
Kenneth Chisholm <email@example.com>
Indiana Connection: in the film, Charlott's parents are from Indiana. In the Frat party scene, Van Halen's "Girl, You Really Got Me" is playing - sung by David Lee Roth... from Bloomington, Indiana See more »
When Chuck and Bill go upstairs in the club at the end of the movie, Bill is barefoot. When Bill jumps off the balcony and lands on the floor a few seconds later, he is wearing red sneakers. See more »
Wait a minute. Hold the phone, Chuck. We got all that space down at the morgue. All those cars. All that time at night. Nobody watching us. We could handle things for your next door neighbor and all of her girl friends right out of the morgue!
Pimps? Are you saying we should become pimps?
Pimps is an ugly word. We could call ourselves love brokers.
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Very funny comedy from Ron Howard. Winkler and Keaton are a great duo and they team up very successfully from what I see. The whole premise is completely absurd, but you never know, it could happen. Nonetheless, engaging performances and great humor serve up a very good film. 9/10
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