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Night Shift (1982)

R | | Comedy | 30 July 1982 (USA)
A morgue attendant is talked into running a brothel at his workplace after a deceased pimp is sent there. However, the pimp's killers don't look too kindly on this new 'business', nor does the morgue's owner.

Director:

Ron Howard
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Popularity
4,536 ( 1,391)

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Nominated for 1 Golden Globe. Another 1 win. See more awards »

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Cast

Cast overview, first billed only:
Henry Winkler ... Chuck Lumley
Michael Keaton ... Bill Blazejowski
Shelley Long ... Belinda Keaton
Gina Hecht ... Charlotte Koogle
Pat Corley ... Edward Koogle
Bobby Di Cicco ... Leonard (as Bobby DiCicco)
Nita Talbot ... Vivian
Basil Hoffman ... Drollhauser
Tim Rossovich ... Luke
Clint Howard ... Jefferey
Joe Spinell ... Manetti
Cheryl Carter Cheryl Carter ... Tanya
Becky Gonzalez Becky Gonzalez ... Lupe
Corki Grazer Corki Grazer ... Sylvia (as Corki Corman)
Jaid Barrymore ... Joyce (as Ildiko Jaid)
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Storyline

A nebbish of a morgue attendant gets shunted back to the night shift where he is shackled with an obnoxious neophyte partner who dreams of the "one great idea" for success. His life takes a bizarre turn when a prostitute neighbour complains about the loss of her pimp. His partner, upon hearing the situation, suggests that they fill that opening themselves using the morgue at night as their brothel. Against his better judgement, he gets talked into the idea, only to find that it's more than his boss that has objections to this bit of entrepreneurship. Written by Kenneth Chisholm <kchishol@execulink.com>

Plot Summary | Plot Synopsis

Taglines:

Ever since two enterprising young men turned the City Morgue into a swinging business, people have been dying to get in. See more »

Genres:

Comedy

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

30 July 1982 (USA) See more »

Also Known As:

Servicio de noche See more »

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Box Office

Gross USA:

$23,600,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The film's "Night Shift" name featured a pair of feet to represent the two letter "i" characters in the movie's "Night Shift" promotional title logo. See more »

Goofs

Bill says "this is my stop" and gets off the subway, while Chuck stays on. But the sign next to him says the train is the Times Square - Grand Central shuttle, which makes no intermediate stops. See more »

Quotes

Belinda Keaton: Franklin once told me that he wanted to be buried in his car.
Chuck Lumley: We don't do that.
Belinda Keaton: Oh.
Chuck Lumley: You'll probably have to call the funeral home or the department of motor vehicles.
See more »

Connections

Spoofed in Ho! Ho! Ho! (1993) See more »

Soundtracks

Take It Off
Written by Jerry Riggs (uncredited)
Performed by Riggs
Courtesy of Warner Bros./Full Moon Records
See more »

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User Reviews

Keaton steals this
30 April 2002 | by Mac-59See all my reviews

Ron Howard has always been a consistantly talented director, never making a bad or even mediocre film. Even a film such as Ransom that opened to lukewarm reviews from both audience and critics is still better than your average thriller. He has a way of making lines and scenes memorable even when the script itself is only so-so. After following his career, I went back to one of his first, Night Shift which still has the magic I remember it did when I saw it way back when.

The story isn't the greatest and Shelly Long has never been an actress I've enjoyed watching but if you only want one reason to see Night Shift, Micheal Keaton is it. Here he creates what is probably one of the funniest characters I have ever seen in a movie. He is an idea man, constantly speaking them into his taperecorder and thus to his morgue co-worker Henry Winkler. Winkler "the fonz" is the total opposite of what he was in Happy Days, and therefor a perfect anchor for Keaton. If it was just Keaton, it wouldn't work, but Winkler is annoyed at Keaton, we laugh because of it.

If you do decide to watch this movie, be on the lookout for the single most hilarious scene: Keaton's analysation of the word "prostitute."


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