7.3/10
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The Man from Snowy River (1982)

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2:22 | Trailer
In 1880s Australia, after young Jim Craig's father dies, Jim takes a job at the Harrison cattle ranch, where he is forced to become a man.

Director:

George Miller

Writers:

A.B. 'Banjo' Paterson (poem), Cul Cullen (script) (as Fred Cul Cullen) | 1 more credit »
Nominated for 1 Golden Globe. Another 2 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Tom Burlinson ... Jim Craig
Terence Donovan Terence Donovan ... Henry Craig
Kirk Douglas ... Harrison / Spur
Tommy Dysart ... Mountain Man
Bruce Kerr ... Man in Street
David Bradshaw David Bradshaw ... Banjo Paterson
Sigrid Thornton ... Jessica Harrison
Jack Thompson ... Clancy
Tony Bonner ... Kane
June Jago June Jago ... Mrs. Bailey
Chris Haywood ... Curly
Kristopher Steele Kristopher Steele ... Moss
Gus Mercurio ... Frew
Howard Eynon Howard Eynon ... Short Man
Lorraine Bayly Lorraine Bayly ... Rosemary Hume
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Storyline

Jim Craig has lived his first 18 years in the mountains of Australia on his father's farm. The death of his father forces him to go to the low lands to earn enough money to get the farm back on its feet. Kirk Douglas plays two roles as twin brothers who haven't spoken for years, one of whom was Jim's father's best friend and the other of whom is the father of the girl he wants to marry. A 20 year old feud re-erupts, catching Jim and Jessica in the middle of it as Jim is accused of letting a prize stallion loose. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Add Synopsis

Taglines:

The story of a boy suddenly alone in the world. The men who challenge him. And the girl who helps him become a man.


Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Australia

Language:

English

Release Date:

5 November 1982 (USA) See more »

Also Known As:

The Man from Snowy River See more »

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Box Office

Budget:

$3,500,000 (estimated)

Opening Weekend USA:

$694,126, 7 November 1982

Gross USA:

$20,659,423

Cumulative Worldwide Gross:

$20,659,423
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color (Eastmancolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

"The Man From Snowy River" is a poem, that was written by A.B. "Banjo" Patterson & published by The Bulletin Company, on Saturday, April 26th, 1890. Patterson himself, along with the words of the poem, are immortalized on the Australian $10 note. See more »

Goofs

At the end of the movie when Jim gets Bess, the horse shown is a gelding instead of a mare. See more »

Quotes

Spur: Don't throw effort out to foolishness!
See more »

Crazy Credits

A herd of wild horses stampede over the hills after the end credits. See more »

Alternate Versions

NBC edited 8 minutes from this film for its 1987 network television premiere. See more »

Connections

Referenced in Postcards: Episode #8.32 (2006) See more »

Soundtracks

Bagatelle in A Minor
Written by Ludwig van Beethoven
See more »

Frequently Asked Questions

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User Reviews

 
A Celebration of Australia's History
31 January 2013 | by JamesHitchcockSee all my reviews

We often think of the Western as being a characteristically American film genre, although there have been occasional attempts to adapt its conventions to stories set in other parts of the world. "North-West Frontier", for example, is a British film set in British-ruled India, but the plot is essentially that of "Stagecoach". "Untamed" transfers the standard waggon-train plot from the American prairies to the South African veldt, and "The Sundowners", about Australian pioneer life, has similarities to many films set in the Old West. These two latter films, despite their ostensible setting, had an American leading man, Tyrone Power in "Untamed" and Robert Mitchum in "The Sundowners".

"The Man from Snowy River" is another Australian film with a plot which could be that of a Western. (One could call it a "Southern"). It also features a major American star, in this case Kirk Douglas, in a leading role. Or perhaps I should say that it features Kirk Douglas in two leading roles, the brothers Harrison, a wealthy cattle farmer, and Spur, a prospector. The action takes place in Victoria during the 1880s. Apart from the two brothers, the main character is Jim Craig, the "Man from Snowy River" himself. Jim is a young man orphaned by the death of his father in an accident, who goes to work on Harrison's station. The three main strands of the plot concern the relationship between the two brothers, who have been estranged for many years, the growing romance between Jim and Harrison's daughter Jessica, and the efforts to recapture a valuable stallion belonging to Harrison, which has escaped and is running with a herd of wild horses.

There are a number of differences in terminology; the wild horses are referred to as "brumbies" rather than "mustangs", Harrison's landholding is described as a "station" rather than a "ranch" and the reward for the recapture of the stallion is expressed in pounds rather than dollars. With those and a few other exceptions, however, the above synopsis could easily be that of a typical Western. And yet in some ways this is a very Australian film. The title and the story of the hunt for the escaped stallion derive from a narrative poem by the "bush poet" Banjo Paterson, although the other two strands of the plot are the inventions of the scriptwriters. Paterson himself appears as a character, as does Clancy of the Overflow, the hero of another of his poems. Paterson is something of a national icon in Australia, largely because his poetry helped to create the legend of the "Australian bushman", the tough, individualistic inhabitant of the Outback who plays a role in the Australian national imagination similar to that played by the cowboy in the American one. Clancy himself- a real individual, not a fictitious character- has come to be seen as the archetypal bushman.

"The Man from Snowy River" was made in 1982 during a decade when very few traditional Westerns were being made in America itself. (Perhaps the attraction of the film for Douglas was that it gave him a chance to star in one last "Western"). This was, however, a period when the Australian "New Wave" was starting to give that country its own cinematic identity with films about Australian history like "Picnic at Hanging Rock" and "Breaker Morant". This film, therefore, can be seen, not as an attempt to imitate Hollywood, but rather as an attempt to celebrate Australia's own history and culture in the way that the Western celebrated American history and culture. That other great celebration of the bushman, "Crocodile Dundee", a comedy with a contemporary setting, was to come shortly afterwards.

There are no really great acting performances, although Douglas copes well with the challenge of playing two very different characters, the autocratic, patrician Harrison and the more free-spirited Spur, even if his accent does not always hold up. The film is shot against some attractive mountain scenery, and the action sequences, especially the hunt for the missing stallion, are well done. This is a film which will appeal to anyone with an interest in Australia's past, as well to all horse-lovers. 7/10


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