A successful young L.A. doctor and his equally successful television-producer wife find their happily-ever-after life torn assunder when he suddenly confronts his long-repressed attraction f... Read allA successful young L.A. doctor and his equally successful television-producer wife find their happily-ever-after life torn assunder when he suddenly confronts his long-repressed attraction for other men. Zach and Claire live a comfortable life secure in their love for one another... Read allA successful young L.A. doctor and his equally successful television-producer wife find their happily-ever-after life torn assunder when he suddenly confronts his long-repressed attraction for other men. Zach and Claire live a comfortable life secure in their love for one another when Bart, a swinging L.A. novelist, walks into Zach's office and awakens unfamiliar feel... Read all
- Awards
- 1 nomination total
- Lila
- (as Ann Harvey)
- Director
- Writers
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Featured reviews
For me, it was the film that helped a struggling 10 grader come to terms with his sexuality. Therefore, I recommend this film to anyone who wants to know what it is like to admit to yourself that you are in denial and being self-deceiving. It follows a man's journey through self-discovery and the unfortunate damage that this type of discovery can bring to a family, friends, and other loved ones, when the reality is finally admitted. Anyone who cannot see this for what it is may need to do some self-discovery work of his or her own to ascertain what is living just below the surface that is presented to the public.
Although the plot and story are a bit simplistic by today's standards, in its day it was revolutionary: a former TV star (Kate Jackson), up-and-coming hunkies star (Harry Hamlin), and the gorgeous guy next door type (Michael Ontkean). Even the sex scene between the men was too much for many in that time.
Al in all, I would say that it is not as bad as many have commented and it is not a tour-de-force of acting either. Just good, old-fashioned melodrama, American-style.
Unappreciated in its time, MAKING LOVE has held up surprisingly well. Yes, it is a rather routine romance; except for the gender-switch, there isn't much here that is new or unusual. Yet, oddly, this is exactly what makes this film so appealing. Homosexuality is not seen as a problem except where it coincidentally creates one; the love triangle is handled in almost exactly the same way it would be if the husband had an affair with a woman. The stars are attractive and sympathetic and all give extremely appealing and deeply felt performances. If you saw it in 1982, it's worth a second (even third) look. If you've never seen it, it's a treat.
Well, I was mistaken about the "informed" audience! This mixed, supposedly knowledgeable New York audience nearly rioted at the first on-screen kiss, discreetly photographed, in a darkened, shadowy corner of a room, in a long shot! The gays (including my group) were cheering and applauding, the older, presumably straight folks were screaming things like "How revolting!" and "Oh, my God!" as they bolted from the theater. This only increased at the second kiss, in close-up, a few moments later. I was never more astonished in my life!
I just saw this again, after a long time. Dated though it is, I still felt the message was clear: be true to yourself. The final ironic shot says it all.
Storyline
Did you know
- TriviaWhen singer Roberta Flack was asked by Hotspots magazine if she was nervous about recording the film's title theme song, even after knowing what it would be about, she responded, "Afraid of singing a song about love? Never. I was so glad when that song charted. People who did not know that the song was about love between two men loved that song. I would talk about it in my shows, and about how love is love. Between a man and a woman, between two men, between two women. Love is universal, like music."
- Quotes
Zach Elliot: It's something you don't have any control over. I mean, whether you're born with it or acquire it, who knows? But there's something in me that needs to be with a man.
Claire: My God!
Zach Elliot: Maybe it's his strength, his attitude. Maybe he's everything I'm not, I don't know. Maybe it's brotherhood, bonding, release. Maybe it's just the need for another man's approval. But it's that feeling...
Claire: Stop it! God!
- Crazy creditsThe 20th Century Fox logo plays without the fanfare.
- SoundtracksMAKING LOVE
Written by Carole Bayer Sager, Burt Bacharach & Bruce Roberts
Performed by Roberta Flack
Produced by Burt Bacharach and Carole Bayer Sager
(P) 1982 Atlantic Recording Corp.
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Details
Box office
- Gross US & Canada
- $11,897,978
- Opening weekend US & Canada
- $3,015,497
- Feb 15, 1982
- Gross worldwide
- $11,897,978
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