Trevor is a 16 year old, sometimes-violent skinhead with no regard for authority, and would rather spend his time stealing cars than sitting in the detention centre to which he is sent. His...
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This is the hard and shocking story of life in a British borstal for young offenders. Luckily the regime has changed since this TV film was made. The brutal regime made no attempt to reform... See full summary »
A gang of skinheads 'Russia 88' are filming propaganda videos in order to place it on the internet. At the same time the camera records the life of the gang, they become accustomed to this ... See full summary »
Four policemen go undercover and infiltrate a gang of football hooligans hoping to root-out their leaders. For one of the four, the line between 'job' and 'yob' becomes more unclear as time... See full summary »
Trevor is a 16 year old, sometimes-violent skinhead with no regard for authority, and would rather spend his time stealing cars than sitting in the detention centre to which he is sent. His social worker, Harry Parker, tries to do his best, but Trevor is only interested when there's something that he can get out of it. The authorities within the centre try to make Trevor conform to the norms of society, but he takes no notice, and would rather speak in a torrent of four-letter words and racial abuse. Written by
Dominic Robinson <email@example.com>
DVD of this movie was taken by the FBI as evidence from the home of Dylan Roof. Roof desired to start a race war by committing a mass shooting at a historical Black church in Charleston, SC, in June of 2015. See more »
You're out of this room, out of this place. You're back into the world.
Trevor the Skinhead:
It's your fucking world, mate, not mine. You can stick it up your arse, I don't want it!
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The late great Alan Clarke (Scum) brings us Made in Britain, a tough and uncompromising (though not actually physically violent) character study of a bored and angry teenager, played by Tim Roth, one of 'Fatcher's' children. The films rather flat narrative follows (both in terms of plot and camera movement) him through his refusal to 'conform' to the authority. Contrary to what a previous reviewer has said, it was not the intention for us, the audience, to believe that he must be forced to conform. The key in the film is that he never does conform, and that for all his obvious faults (racism and rebellion, it seems, a product of a right-wing and suppressive society) he retains the courage to stick to what he believes in. Rather than an anti-hero, Tim Roth's character seems to be more of a anarchist anti-authoritarian (rather like Alan Clarke himself) who is locked away for admitting to what he believes in.
So if you're in the mood, settle back and watch a film that packs a powerful punch. Probably most enjoyable if you're a little bit of an anarchist yourself (everyone else will most likely just be offended by it). Damned authority.
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