After failing his fellow students in a Lion Dance competition, Dragon (Jackie Chan) is sent away from his school in disgrace, on the condition that he must find his errant brother. Much ... See full summary »
Shing Lung (Jackie Chan) is a youngster, living in a remote village with his grandfather who teaches him Kung-Fu. He keeps getting into fights, even though his grandfather warns him not to ... See full summary »
Story of a cop who forsakes his dreams of sailing around the world so that he can care for his mentally disabled brother. Innocently caught up in a gangland fight, the brother is kidnapped ... See full summary »
Two Hong-Kong cops are sent to Tokyo to catch an ex-cop who stole a large amount of money in diamonds. After one is captured by the Ninja-gang protecting the rogue cop, the other one gets ... See full summary »
Sammo Kam-Bo Hung
Sammo Kam-Bo Hung,
Stanley Sui-Fan Fung
A police informant sent a letter containing sensitive information on an illegal drug operation to his friend, Yi-Ching. While on vacation in Thailand, the informant is assassinated by the ... See full summary »
A Special Agent is assigned to protect a wealthy business magnate. However, when the businessman is kidnapped in a daring ambush, he teams up with a seasoned detective to crack the case. But soon he discovers the case isn't that simple.
Jackie Chan stars as the young warrior Hsu Yin-Fung. Hsu has been entrusted with the book of the "Art of the Snake and Crane", after the mysterious disappearance of the eight Shaolin ... See full summary »
A pair of evil gung-fu artists, Heaven and Earth, are slaughtering the entire Yin-Yang brotherhood. The movie opens with two members of the brotherhood and their two male children being ... See full summary »
At the time this film held the world record for a scene that needed the most takes, over a thousand for the "shuttlecock soccer" scene. See more »
Around 1h19m (the barn fight scene), Cowboy (Mars) gets kicked off the loft by the Big Boss (Ing-Sik Whang). Dragon (Jackie Chan) is situated near the middle of the ladder. Just as the Big Boss kicks him in the back, the next cut shows him at the top of the ladder. See more »
Scenes of out-takes from the action scenes play under the credits. See more »
This film has to be viewed in the right frame of mind. First, the central father-son relationship makes it pretty clear that the film was intended as a prequel to his Wong Fei Hung film "Drunken Master" (ideas from this film recur in "Drunken Master II), and not "Young Master"; that Chan backed away from this plan and renamed the characters indicates that he himself was not convinced the material was coming together properly; and, indeed, the film conveys a sense of being incomplete; for instance, the romantic relationship around which half the plot turns is left utterly hanging at the end of the film. "Young Master", from the same period, also feels underdone, but at least all its central threads are tied together at the end. This film feels as though Chan wrestled with the plot and characters trying to find his central theme, only to abandon the effort, possibly due to time and budget.
Or perhaps the film is simply over-ambitious. This is an important turning point film in Chan's career, because he commits himself to development of the central character above all other concerns - which is why there's such a lack of kung fu throughout the film. Chan wants to make an historical romantic comedy that just happens to have kung fu in it. But both the historical element and the romantic element come across as little more than plot-twists.
That leaves us with the comedy. Since Chan's concern is character-development, the comedy is largely character driven - as in the conflict between Chan's character and his best friend, an argument over a girl. But there's plenty of slapstick as well. Frankly, I find the comedy amusing enough to forgive the incompleteness of the plot.
This film represents an effort on Chan's part to find a viable formula that he can use and develop over time. It doesn't quite work, and Chan would only find that formula after abandoning the historical elements of his earlier films, with the making of the contemporary action comedy "Police Story". But going back to view this film is still very informative as to how Chan worked his way through the historical genre, and perhaps why he abandoned it.
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