Major Charles Forsythe (Carradine) is a Vietnam veteran U.S. Army officer stationed near Rome. He is a brutal, if effective, commander who was "fragged" by his own men in Vietnam. When he ... See full summary »
A story of a tribe of Amazons in the age of swords and chariots. The film opens with the tribe holding physical contests to select a new queen. Since there are no men in the tribe, they ... See full summary »
In 1959 underground revolutionaries try to assassinate Prime Minister Abd al-Karim Kassem in Baghdad. News reports claim they have failed, and at first the revolutionaries lay low, but as ... See full summary »
Co-Screenwriter Robin Moore has said of writing this movie, "The theme I had to deal with in 'Inchon' was too big for a movie that was less than two hours. When Toho was originally involved, (they) wanted a love story between an American boy and a Korean girl. My technique is to research and then fictionalize, a technique I used successfully in The French Connection (1971). But I had to fictionalize the real landing at Inchon, making it seem that a lighthouse was a pivotal factor, when in fact it wasn't. I couldn't do that, which is why other writers were brought in." See more »
In the opening monologue, the end of World War II is described as the end of the "war to end all wars." World War I was the "war to end all wars." See more »
When the film was first released for a special one-night-only premiere in Washington D.C. in May 1981, running at 140 minutes, it was almost booed off the screen which resulted in its nationwide release being canceled. A heavily edited version was released nationwide in August 1982 running at 105 minutes in which many scenes involving talky subplots were deleted, including all of David Janssen's scenes. See more »
For the most part no one has watched this film in the twenty plus years since it was released to theaters. Considering that almost no one saw it when it was released I think the producers certainly know what they are doing.
While the film, which tells of the turning point in the Korean War, isn't good, or even fair, its not the worst war film ever made.Granted its close, but its not in the top ten or even top 25.
As bad as it is it should be watched by anyone in film school as examples of what not to do for money. First and foremost is Olivier's performance as Mac Arthur which IS simply so bad that that every award he ever received should have had to have been given back. Its one of the screens worst moments, and a warning of what happens when wax figures are left too long in the sun. Olivier's make up makes him look like the left over at fire sale in a wax museum.
The film is indifferently directed while the writing is bad TV soap opera. Its cleared no one cared about this film other than its producer who threw scads of money but to no avail.
An example of how and why not to make a movie.
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