Peter the Fisherman (Robert Foxworth) and Paul of Tarsus (Sir Anthony Hopkins) assume leadership of the Church as they struggle against violent opposition to the teachings of Jesus Christ and their own personal conflicts.
On March 1, 1932, the infant Charles Lindbergh, Jr., the son and namesake of the famed pilot, is kidnapped. After he is later found dead, a German immigrant named Bruno Hauptmann is tried for kidnapping and murder.
Cliff De Young,
A musical adaptation of Victor Hugo's novel "Notre Dame de Paris" which follows the gypsy dancer Esmeralda and the three men who vie for her love: the kind hunchback Quadimodo, the twisted priest Frollo, and the unfaithful soldier Phoebus.
Bill (Sir Anthony Hopkins) is a man who's very bitter about his divorce and losing custody of his son. So, when one of his friends is being sued for divorce by his wife, so that she can ... See full summary »
Quasimodo (Sir Anthony Hopkins), the hunchback bellringer of Notre Dame's cathedral meets a beautiful gypsy dancer, Esmeralda (Lesley-Anne Down), and falls in love with her. So does Quasimodo's guardian, the archdeacon of the cathedral, Dom Claude Frollo (Sir Derek Jacobi), and a poor street poet. But Esmeralda's in love with a handsome soldier. But when a mob mistakes her for a witch, it's up to Quasimodo to rescue her and claim sanctuary for her in the cathedral.Written by
The number of coins in Esmeralda's tambourine as she dances. See more »
Water, she gave me water.
[Wherein we learn that Quasimodo is not crying because the cruelty of the villagers, but out of happiness for the kindness of Esmeralda]
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How is it possible that such a brilliant cast could make such a bad adaptation of a classic novel? Anthony Hopkins is not allowed to put any real life into Quasimodo, and Derek Jacobi just barely lets us see into his tortured soul. Lesley-Anne Down is laughable as an actress, although breathtakingly beautiful. The real surprise here is David Suchet, who plays a character utterly unlike any we are used to -- a far cry from Poirot!
Why was I disappointed? The sound is terrible, the cuts between scenes disjointed, the scenery poorly constructed, and the actors are hemmed in by a terrible script. We are not given insight to the relationship between Quasimodo and the Archdeacon, nor between Pierre and Esmerelda. Tim Piggott-Smith has about the best character development, and he is a secondary character at best.
Cameos by such luminaries as John Gielgud and Nigel Hawthorne heightened the disappointment even more. This one is really a stinker and a waste of England's best talent.
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