Gandhi's character is fully explained as a man of nonviolence. Through his patience, he is able to drive the British out of the subcontinent. And the stubborn nature of Jinnah and his commitment towards Pakistan is portrayed.
After settling his differences with a Japanese P.O.W. camp commander, a British Colonel co-operates to oversee his men's construction of a railway bridge for their captors, while oblivious to a plan by the Allies to destroy it.
In 1893, Mohandas K. Gandhi is thrown off a South African train for being an Indian and traveling in a first class compartment. Gandhi realizes that the laws are biased against Indians and decides to start a non-violent protest campaign for the rights of all Indians in South Africa. After numerous arrests and the unwanted attention of the world, the government finally relents by recognizing rights for Indians, though not for the native blacks of South Africa. After this victory, Gandhi is invited back to India, where he is now considered something of a national hero. He is urged to take up the fight for India's independence from the British Empire. Gandhi agrees, and mounts a non-violent non-cooperation campaign of unprecedented scale, coordinating millions of Indians nationwide. There are some setbacks, such as violence against the protesters and Gandhi's occasional imprisonment. Nevertheless, the campaign generates great attention, and Britain faces intense public pressure. Too weak...Written by
Gandhi's funeral scene employed three hundred thousand extras, which makes it into the Guinness Book of World Records for the largest number of extras in one scene. This is a record that is likely to remain, as huge crowd scenes these days are largely done via CGI. The extras were not paid, they were all volunteers who came to honor the memory of Gandhi. This scene was shot on January 31, 1981, the 33rd Anniversary of Gandhi's assassination, and employed nineteen different cameras. See more »
When Gandhi is escorted into the office of the top prison official, the pendulum on the grandfather clock in the background jumps between shots. See more »
He will be saying prayers in the garden. Just follow the others.
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Opening credits prologue: No man's life can be encompassed in one telling. There is no way to give each year its allotted weight, to include each event, each person who helped to shape a lifetime. What can be done is to be faithful in spirit to the record and try to find one's way to the heart of the man....
In April 2005, Skoll launched the Gandhi Project in partnership with Silicon Valley entrepreneur Kamran Elahian. Working with Palestinian voice actors and artists, an award-winning director dubbed the epic film into Arabic. It is being screened throughout Palestine in order to advance civil society goals of peaceful resistance, self-reliance, economic development and local empowerment, and plans are underway to expand screenings throughout the Arab world. See more »
Thinking back, I suppose I have now seen many (sometimes good) films that follow the same recipe: One man makes a difference.
But this film is an exception in so many ways:
1) It was made in 1982, so it came before many of them.
2) It has amazingly well-displayed historical significance.
3) Great performances in a near-flawless, frank scrpit.
This film does not bother the viewer with an opening montage of scenes of the main character at various ages ("Dragon", I'm looking at you). This is an amazing film that anyone of any religion, race, or nationality can and should appreciate. With its subtle relevance to today's situations in that part of the world, this is a history buff must-see.
Watch this film and see great performances (an obvious oscar went to Ben Kingsly), excellent cinematography, and a wonderful inspiring story, whose essence soars well above the corny, do-gooder mentality of other pitiful efforts of "bio-pics".
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