Follows a group of high school students growing up in southern California, based on the real-life adventures chronicled by Cameron Crowe. Stacy Hamilton and Mark Ratner are looking for a love interest, and are helped along by their older classmates, Linda Barrett and Mike Damone, respectively. The center of the film is held by Jeff Spicoli, a perpetually stoned surfer dude who faces off with the resolute Mr. Hand, who is convinced that everyone is on dope.Written by
Rick Gregory <firstname.lastname@example.org>
Nicolas Cage actually taunted the rest of the cast by bragging about his uncle Francis Ford Coppola. He told all the other young actors that he would be famous faster than any of them, because he had the connections. After a few weeks of this, the cast started to strike back at Nicolas by doing imitations of Robert Duvall in Apocalypse Now (1979), which finally got Cage to stop bragging about his famous family. See more »
When the Pizza Guy knocks on the door, a crew member can be seen moving in the reflection of the glass. See more »
Before the credits roll, brief scenes of the characters are shown listing what happened to them following the events of the movie. See more »
The Cable TV Version has many scenes omitted from the home video and laser disc versions. It is also missing the obvious scenes with nudity. Some of the scenes added are:
Damone and Rattner talk about what to do on a date and Damone telling Ratt to play Led Zeppelin IV. This scene is followed by a scene in which Phoebe Cates and Jennifer Jason Leigh are talking on the phone and they are in their bra and panties (this scene is sometimes omitted when showing on cable depending on how prude the network airing it is.) In this conversation Phoebe Cates warns Jennifer Jason Leigh about Led Zeppelin IV.
A new scene between Stacey and her brother and his friends where they warn her about Mr. Hand.
A new scene between Brad and a guidance counselor about his life.
After Brad gets fired there is a scene where he rips down a Coca-Cola poster in his bedroom.
Mr. Hand signing people's annuals (yearbooks) at the school dance.
: I was encouraged to see this because it was hailed as one of the best `teen comedies', a genre revived more recently by `American Pie'. This is an amusing but also touching tale of a bunch of teenagers caught between childhood and adulthood (as teenagers tend to be..).
The characters are, naturally, disparate (they always are). You've got the geek, the tender one, the surfing one, the `cool cat' one, et cetera. All these stock types can be bland but, when done well, really flesh out a movie. As in `American Pie', this is an example of the combination working to good effect. The issues dealt with, mild enough by today, were quite controversial for its time. They touch on concepts of underage sex, drugs, employment and so on and their relevance still resonates - despite its founding in 80s culture, the movie still has something to actually say. Cameron Crowe's script - based on his own book - is sharp. The characters actually have a depth (rather than being a one line joke as it is too often) and the humour is gentle, rather than of the bodily-fluid nature. The film is never preachy, merely saying, `This is how it is' and moving on. The structure is fairly conventional - follow a set of characters over a long period, and see how they fare in a final big event, but again that's okay.
Acting is quite good here, especially considering the genre. This is of course helped by some of these actors, such as Sean Penn and Nicholas Cage, having gone on to do bigger and better things with their talents. They all have a warmth and even Mike (Robert Romanus), who could appear sleazy if portrayed poorly, comes across as an ultimately affable man who is a good guy. The non-teen cast, principally the teacher Mr. Hand (Ray Walston) are all good as well and the only problem I may have is the occasional eighties styling (principally the haircuts and outfits) which tend to make me feel one step removed from the characters (but that's not a fault of the actors).
`Fast Times at Ridgemont High' surprised me with its depth. I had expected farce, but I got some genuine thought and characterisation, along with the requisite humour. It's not quite the laugh-fest I expected but it was good viewing. It still has meaning for today, although time has dulled its sharpness somewhat. Not a must, but certainly - given its short length - a good maybe. 6.9/10.
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