Fanny and Alexander (1982)

Two young Swedish children experience the many comedies and tragedies of their family, the Ekdahls.

Director:

Ingmar Bergman

Writer:

Ingmar Bergman

Stars:

Bertil Guve, Pernilla Allwin, Kristina Adolphson

Top Rated Movies #248 | Won 4 Oscars. Another 20 wins & 10 nominations.

Cast

Cast overview, first billed only:
Kristina Adolphson	...	Siri - Ekdahlska huset
Börje Ahlstedt	...	Carl Ekdahl - Ekdahlska huset
Pernilla Allwin	...	Fanny Ekdahl - Ekdahlska huset
Kristian Almgren	...	Putte Ekdahl - Ekdahlska huset
Carl Billquist	...	Police Superintendent Jespersson - Ekdahlska huset
Axel Düberg	...	Witness to Bishop's Death - Ekdahlska huset
Allan Edwall	...	Oscar Ekdahl - Ekdahlska huset
Siv Ericks	...	Alida - Ekdahlska huset
Ewa Fröling	...	Emilie Ekdahl - Ekdahlska huset
Patricia Gélin	...	Statue - Ekdahlska huset (as Patricia Gelin)
Majlis Granlund	...	Miss Vega - Ekdahlska huset
Maria Granlund	...	Petra Ekdahl - Ekdahlska huset
Bertil Guve	...	Alexander Ekdahl - Ekdahlska huset
Eva von Hanno	...	Berta - Ekdahlska huset
Sonya Hedenbratt	...	Aunt Emma - Ekdahlska huset

Storyline

It's the early twentieth century Sweden. Adolescent siblings Alexander and Fanny Ekdahl lead a relatively joyous and exuberant life with their well-off extended paternal family, led by the family matriarch, their grandmother, Helena Ekdahl. The openness of the family culture is exemplified by Helena's now deceased husband ending up becoming best friends with one of her lovers, a Jewish puppet maker named Isak Jacobi, and their Uncle Gustav Adolf's open liaison with one of the family maids, Maj, who everyone in the family adores, even Gustav Adolf's wife, Alma. Between the siblings, Alexander in particular has inherited the family's love of storytelling, his parents and his grandmother who are actors and who manage their own theater. Things change for Alexander and Fanny when their father, Oscar, dies shortly after Christmas 1907. Although she truly does believe she loves him, the children's mother, Emilie, decides to marry Bishop Edvard Vergérus, who she first met as the officiate at ...

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Plot Keywords:

domestic violence | grief | marriage of convenience | abusive stepfather | extramarital affair | 

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Taglines:

En film av Ingmar Bergman

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Genres:

Drama

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Certificate:

R

Details

Country:

Sweden France West Germany

Language:

Swedish German Yiddish English French

Release Date:

17 December 1982 (Sweden)

Also Known As:

Fanny and Alexander

Filming Locations:

Valvgatan, Uppsala, Uppsala Län, Sweden

Box Office

Budget:

$6,000,000 (estimated)

Opening Weekend USA:

$36,365, 19 June 1983, Limited Release

Gross USA:

$4,971,340, 2 January 1984

Company Credits

Production Co:

Cinematograph AB,Svenska Filminstitutet (SFI),Gaumont

Technical Specs

Runtime:

188 min 312 min (director's cut)

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.66 : 1

Did You Know?

Trivia

Liv Ullmann was originally offered the role of Emilie Ekdahl (played by Ewa Fröling) but turned it down. Ingmar Bergman was very upset and told Ullmann that she'd "lost her birthright".

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Goofs

When Gustav Adolph and the maid are in bed together and the bed breaks, a string used to pull down the headboard onto them is visible.

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Quotes

Teatern - Filip Landahl: ...They no longer wish to hear the songs of giants. They are content with the tunes of dwarfs.

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Connections

Edited into Fanny och Alexander (1983)

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Soundtracks

A Tailor and His Wife
Sung by choir (the student friends).

User Reviews

Probably Bergman's best

Although I have disliked Bergman's earlier films and thought they were by far too overrated, that did not apply to this film. I saw the director's-cut version, over five hours. A little long, yes, and there is not much music, but it's not slow, like Tarkovsky's films can be.

The opening is great, and the first act, the first one and a half hour, was the part I liked the very most. The realism is utter, so is the casting; the best acting I have seen in a Swedish film, it's amazing. I can't complain about any actor, they were all extremely good. So is the dialog. Alexander had a typical upper class look, so did his grandmother, who looked extremely fresh and healthy and beautiful, for her age. All together, the language and milieus are very credible. No over-colorful costumes and silly dialogs, that is such a frequent element nowadays in historical plays, especially from America.

Bergman succeeds to capture the customs and behavior that were used (and to some extent still is used) within the Swedish upper class, as well as general Swedish customs and behavior. I know this, because I am familiar with it and have partly experienced it myself. The result is sometimes amazing. Bergman succeeds to capture the atmosphere of the old times, through language and decoration. The photo is at time dazzling; some scenes are identical to 19th century Swedish painting, and I get the thought that Bergman turned to these in search for the right setting of the film.

Unlike early works by Bergman, which tend to be somewhat theatrical, the keyword here is realism, which I appreciate greatly. The actors manage, like I said, to speak and play in a way that I feel was customary at that period of time. It might be too much to claim this work to be a Swedish Tarkovsky film, but I sensed it had some philosophical material, and it is definitely thoughtful. Otherwise, I think it is worth watching for the acting and dialog alone.

One of the best Swedish films ever made, and Bergman's best, in my opinion. (9/10)