A New York City narcotics detective reluctantly agrees to cooperate with a special commission investigating police corruption. However, he soon discovers that he's in over his head, and nobody can be trusted.
A TV producer who is the mistress of her boss, tries to have him make their relationship more permanent, and begins a relationship with a younger man. When her boss hears of this, he tries ... See full summary »
To make Sidney's slump all the more painful, Clifford Anderson, a student of one of Sidney's writing seminars, has recently sent his mentor a copy of his first attempt at playwrighting for Sidney's review and advice. The play, "Deathtrap," is a five character, two act thriller so perfect in its construction that, as Sidney says, "A gifted director couldn't even hurt it." Using his penchant for plot, and out of his desperate desire to once again be the toast of Broadway, Sidney, along with Myra, cook up an almost unthinkable scheme: They'll lure the would-be playwright to the Bruhl home, kill him, and market the sure-fire script as Sidney's own. But shortly after Clifford arrives, it's clear that things are not what they seem! Indeed, even Helga Ten Dorp, a nosey psychic from next door, and Porter Milgram, Sidney's observant attorney, can only speculate where the line between truth and deception lies.Written by
Craig C. Bailey
Names of plays that playwright Sidney Bruhl (Michael Caine) had written were "The Murder Game (a hit) and his latest "Murder Most Fair" (a flop). Co-star Dyan Cannon actually once had appeared in a movie called The Murder Game (1965), directed by Sidney Salkow, having the same first name as Caine's character. See more »
When Sidney has the Deathtrap script and threatens to throw it into the fireplace, the fire isn't lit. See more »
[the actor on stage delivers an unintelligible line]
First Audience Member:
It's the worst play I've ever seen.
Second Audience Member:
I can't believe Sidney Bruhl wrote it.
See more »
There are two distinct versions between the theatrical release and the television version. The famous "kiss" between Sidney and Clifford after Myra's death in the theatrical and video release is absent in the television version. See more »
Shame really - very rarely do I watch a film and am left feeling disappointed at the end. I've seen quite a few of Ira Levin's adaptations - 'Rosemary's Baby' and 'The Stepford Wives' - and liked both them, but this just didn't appeal to me.
When I read the plot outline - an award winning playwright (Michael Caine) decides to murder one of his former pupils (Christopher Reeve) and steel his script for his own success - I was excited. I like thrillers, Michael Caine's a good actor, Sidney Lumet's a good director and Ira Levin's work is generally good.
I won't spoil it for anyone who hasn't seen it yet, but all I'd say is there are LOADS of twists and turns. So many its kind of hard to explain the film's plot line in detail, without giving it away. I enjoyed the first ... 45 minutes, before the twists and turns began to occur and at that point my interest and enjoyment began to fade out. Though I have to give Lumet credit for the very amusing ending which did make me laugh out loud.
The main cast - Michael Caine, Christopher Reeve, Dyan Cannon and Irene Worth - were all brilliant in their roles. Though Worth's obvious fake Russian accent got on my nerves slightly (nothing personal Irene, I think any actor's fake accent would irritate me). Not sure if Cannon's character was meant to be annoyingly funny but Dyan managed to annoy and amuse - at the same time.
Anyone reading this - I don't want you to be put-off watching this because of my views - give it a chance, you may like it, you may not. It's all about opinion.
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