Dead Men Don't Wear Plaid (1982)

Film noir parody with a detective uncovering a sinister plot. Characters from real noirs appear as scenes from various films are intercut.

Director:

Carl Reiner

Writers:

Carl Reiner, George Gipe

Stars:

Steve Martin, Rachel Ward, Alan Ladd

Cast

Cast overview, first billed only:
Steve Martin	...	Rigby Reardon
Rachel Ward	...	Juliet Forrest
Alan Ladd	...	The Exterminator (archive footage)
Carl Reiner	...	Field Marshall VonKluck
Barbara Stanwyck	...	Leona Hastings-Forrest (archive footage)
Ray Milland	...	Sam Hastings (in 'Lost Weekend') (archive footage)
Ava Gardner	...	Kitty Collins (archive footage)
Burt Lancaster	...	Swede Anderson (archive footage)
Humphrey Bogart	...	Phillip Marlowe (archive footage)
Cary Grant	...	'Handsome' (in 'Suspicion') (archive footage)
Ingrid Bergman	...	F.X. Huberman (archive footage)
Veronica Lake	...	Monica Stillpond (archive footage)
Bette Davis	...	Doris Davermont (archive footage)
Lana Turner	...	Jimmi-Sue Altfeld (archive footage)
Edward Arnold	...	Altfeld (archive footage)

Storyline

Juliet Forrest is convinced that the reported death of her father in a mountain car crash was no accident. Her father was a prominent cheese scientist working on a secret recipe. To prove it was murder, she enlists the services of private eye Rigby Reardon. He finds a slip of paper containing a list of people who are "The Friends and Enemies of Carlotta." Searching for answers, Rigby encounters assorted low-lifes: dangerous men and women who were the hallmarks of the classic detective movies of the 40's and 50's. Filming in black and white allows scenes from old movies to be cut into this film. It is through this process that Rigby's assistant is none other than Philip Marlowe himself.

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Plot Keywords:

revolver | prison | jail | conspiracy | island | 

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Taglines:

Laugh... or I'll blow your lips off!

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Genres:

Comedy | Crime | Mystery | Thriller

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Certificate:

PG

Details

Country:

USA

Language:

English

Release Date:

21 May 1982 (USA)

Also Known As:

Dead Men Wear No Plaid

Filming Locations:

Pasadena, California, USA

Box Office

Budget:

$9,000,000 (estimated)

Opening Weekend USA:

$4,289,601, 23 May 1982, Wide Release

Gross USA:

$18,197,170

Company Credits

Production Co:

Aspen Film Society,Universal Pictures

Technical Specs

Runtime:

88 min

Sound Mix:

Mono

Color:

Black and White

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

First of two back-to-back genre spoofs for both actor Steve Martin and director Carl Reiner. This picture parodied film noir and detective films mostly from the 1940s whilst their immediate next movie, The Man with Two Brains (1983), spoofed science fiction and horror films. Both pictures had longish titles which were both five words long.

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Goofs

Rolodex card file wasn't marketed until 1958, yet appears on a desk in scene set in Forties.

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Quotes

Philip Marlowe: Can you get a map of South America?
Rigby Reardon: Yeah. You got something?
Philip Marlowe: Look up Peru.
Rigby Reardon: Got it!
Philip Marlowe: There's a little town on the coast called Paita. Tell me where it is.
Rigby Reardon: It's right next to a tiny island called - son of a gun! Carlotta! Damn. It's not a woman's name, it's a place.

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Crazy Credits

After the Cast there comes the dedication: Dead Men Don't Wear Plaid was Edith Head's final film. To her, and to all the brilliant technical and creative people who worked on the films of the 1940's and 1950's, this motion picture is affectionately dedicated.

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Connections

Edited from The Lost Weekend (1945)

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Soundtracks

Dead Men's Bolero
Music by Miklós Rózsa
Lyrics by Steve Goodman

User Reviews

Along with "The Jerk," one of Steve Martin's top two finest films

I remember reading reviews in The New York Times and elsewhere in 1983 fawning over Woody Allen's brilliant and wholly original idea of inserting himself into old film footage in "Zelig." They'd not noted, of course, that everyone from Ernie Kovacs to John Zacherle had already done that "brilliant and wholly original idea" on television -- and, most notably, Steve Martin did it in a feature film, "Dead Men Don't Wear Plaid," one year prior to "Zelig." While "Zelig" has its moments, it is ultimately tedious, running about twice as long as it's one-note gag treatment can sustain. In sharp contrast is the far more clever, inspired, fully developed, insightful and witty DMDWP, which, as noted. came out one year earlier. As often happens with groundbreakers set somewhere outside the norm, DMDWP was not exactly a box office hit -- a key reason why no sequels were ever made. That's unfortunate, as Martin's character was one of his finest creations and could have sustained more installments in the series. (Steve was never better on film than he is here.) It's good that the people behind "Police Squad" did not give up on it after it failed to fit within the confines of standard TV concepts around the same time. Reborn as "The Naked Gun" series of feature films, the "Police Squad" concept turned into three of the greatest comedy motion pictures of all time. DMDWP deserved a lot better than it got in 1982 as well, and I'm glad to see that it has finally found respect and its audience through television exposure (much like a previous box office bomb, "It's A Wonderful Life"). The kind of creativity Martin, Carl Reiner and the rest of the DMDWP crew put into their project needs to be strongly encouraged -- as it represents excellent comic film-making, as opposed to the witless parade of routine crudities that Hollywood ordinarily churns out.