With the help of a talking freeway billboard, a wacky weatherman tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early 1990s Los Angeles.
Richard E. Grant
Juliet Forrest is convinced that the reported death of her father in a mountain car crash was no accident. Her father was a prominent cheese scientist working on a secret recipe. To prove it was murder, she enlists the services of private eye Rigby Reardon. He finds a slip of paper containing a list of people who are "The Friends and Enemies of Carlotta." Searching for answers, Rigby encounters assorted low-lifes: dangerous men and women who were the hallmarks of the classic detective movies of the 40's and 50's. Filming in black and white allows scenes from old movies to be cut into this film. It is through this process that Rigby's assistant is none other than Philip Marlowe himself.Written by
Tony Fontana <email@example.com>, Ed. by Peter Victor <firstname.lastname@example.org>
Actor Steve Martin didn't watch any old movies nor the types of classic film noir and detective films that this picture featured or referenced because Martin, according to the picture's production notes, "didn't want to act like Humphrey Bogart ... [he] didn't want to be influenced". See more »
The newspaper in the opening scene has a large headline saying "Dodgers Lose Again." But that wouldn't have been a big deal for a Los Angeles paper in the 1940s -- the Dodgers didn't move there from Brooklyn until 1958. See more »
Carl Reiner, the multi-talented director of this film, is the only one that could have pulled it off. Working with George Gipe, and Steve Martin in the screen play that serves as the basis of the movie, Mr. Reiner has done the impossible with "Dead Men Don't Wear Plaid".
Of course, this film is blessed with the magnificent editing by Bud Malin, who meshed the present images against those film noir masterpieces we see, blending the characters of this movie with the stars of the past, in what seems to be a seamless product. It also helps that Miklos Rozsa was the man composing the music, as everything shows a cohesiveness that is hard to distinguished in what was shot in 1982 and the old movies.
This spoof to the film noir genre is a pure delight. The main character, Rigby Reardon is the P.I. from hell, but thanks to the creators of this movie, he is perfect as the man at the center of the action.
Not being a Steve Martin fan, one has to recognize that when this actor is inspired, he can do excellent work. It would appear that with a director like Carl Reiner, he would have gone off the top, but instead, Mr. Martin gives a good reading of Rigby. Rachel Ward, as the typical woman of those films, is charming. Reni Santoni, Georege Gaynes and the rest of the supporting cast do wonders under Carl Reiner's orders.
The film brought back memories of those timeless masterpieces of the past and the stars that shone in them. We get to see Humphrey Bogart, Ava Gardner, Ingrid Bergman, Vincent Price, Alan Ladd, Veronica Lake, Barbara Stanwyck, Fred McMurray, Edward G. Robinson, and the others at the height of their fame playing against the present cast and making the viewer happy watching all the antics which Mr. Reiner and his team have created for our amusement.
This is a funny look at the old movies!
32 of 34 people found this review helpful.
Was this review helpful to you?
| Report this