5.9/10
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Le choc (1982)

After his last contract, the hitman Martin "Christian" Terrier tells his only friend Michel that he will retire; however Michel advises that the Organization will never let him go. ... See full summary »

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, (uncredited)

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(novel), (adaptation) | 3 more credits »
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Cast

Cast overview, first billed only:
... Martin Terrier / Christian
... Claire
... Félix
Etienne Chicot ... Michel
Jean-Louis Richard ... Maubert, l'inspecteur de la DST
... Mathilde
François Perrot ... Cox
... Borévitch, dit 'Boro'
Franck-Olivier Bonnet ... Silvio
Myriam Pisacane ... L'Ange Bleu (as Myriam)
Peter Bonke ... Un terroriste
Dany Kogan ... Rosana
Jean-Jacques Scheffer ... Un terroriste
Marie Kéruzoré
Philippe Lelièvre
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Storyline

After his last contract, the hitman Martin "Christian" Terrier tells his only friend Michel that he will retire; however Michel advises that the Organization will never let him go. Christian visits his boss Cox to receive the payment for his last work and to inform his decision but Cox does not admit that he quits the Organization. Christian visits the manager of his money, Jeanne Faulques, and he learns that she had invested part of his money in a turkey farm in the countryside. He drives to the place to spend a couple of days and has a love affair with Claire, who runs the farm with her husband Félix and has a loveless marriage. Out of the blue, criminals arrive at the farm and Félix is murdered. Christian and Claire kill the killers and they head to Paris to travel abroad. However, Christian discovers that Jeanne is dead and his money was stolen from the bank safe. Then, Christian and Claire are abducted by the men of Cox that wants Christian to have his last contract. In return, ... Written by Claudio Carvalho, Rio de Janeiro, Brazil

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Details

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Release Date:

28 April 1982 (France)  »

Also Known As:

Contract in Blood  »

Company Credits

Production Co:

,  »
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Color:

(Fujicolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

After the success of La guerre des polices (1979), Robin Davis did not want to be cataloged as a director of this genre and refused for two years many proposals to direct this type of film again. But when the producers Alain Sarde and Alain Terzian came to see him to ask him to make a film with Alain Delon, the idea interested him. There were no plans yet what the film would be. Robin Davis launched the idea of a French Bonnie and Clyde and the name Catherine Deneuve came quickly on the table. The director then read all sorts of novels and fell onto Jean-Patrick Manchette's "La position du tireur couché". He saw in the main character the opportunity to revisit the usual role for Alain Delon. "Terrier in the book was a totally crazy guy who lived in a cellar, ate cold spaghetti, was perpetually drunk and helpless, with a nihilistic relationship to women, in a completely crazy story. "

Robin Davis wrote a first draft that was close to the novel's depiction of Terrier and read it to the producers and the star. "At the end, this approach fell apart: Alain Delon is a myth. A myth does not eat cold spaghetti in a cellar. " He then reversed the polarities and the anti-hero became a hero, a classic character of the police genre, the killer who decides to hang up, a role already interpreted by the actor in No Way Out (1973) by Duccio Tessari. Dominique Robelet, Claude Veillot, and Alain Delon himself, as well as other writers who did not wish to be credited, all worked on the new adaptation.

Jean-Patrick Manchette, who had two of his other novels adapted by and starred Alain Delon, 3 hommes à abattre (1980) and Pour la peau d'un flic (1981), was not worried about the different approach taken in the adaptation. As soon as Alain Delon embodied the hero of Le choc (1982), he was sure that the character was not going to end up invalid and spoiled as in the novel, and that did not bother him. See more »

Connections

References The Blue Angel (1930) See more »

Soundtracks

Solitude
Written and Performed by Philippe Sarde Et Orchestre
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User Reviews

 
So so...
25 June 2002 | by See all my reviews

Enjoyable, but by no means a great crime film starring Alain Delon and Catherine Deneuve. The script is extremely cliched, so it is left to the actors to pull this one off. And to a certain extent they deliver.

The direction is unimaginative, but the production design is cool mostly in the form of locations. I'm not sure whether the version I saw was uncut, but doubt it would have made much difference.


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