A documentary on the chaotic production of Werner Herzog's epic Fitzcarraldo (1982), showing how the film managed to get made despite problems that would have floored a less obsessively driven director. Not only does he have major casting problems, losing both Jason Robards (health) and Mick Jagger (other commitments) halfway through shooting, but the crew gets caught up in a war between Peru and Ecuador, there are problems with the weather and the morale of cast and crew is falling rapidly.Written by
Michael Brooke <email@example.com>
Ranked 14th in Filmmakers' Greatest Documentaries of All Time in Sight & Sound Magazine's September 2016 issue. See more »
It's not only my dreams, my belief is that all these dreams are... are yours as well... and the only distinction between me and you is that I can articulate them... and that is what poetry or painting or literature or film-making is all about, it's as simple as that... and I, I make films because I have not learned anything else and I know I can do it to a certain degree... and it is my duty because this might be the inner chronicle of what we are... and we have to articulate ourselves ...
See more »
I saw this enjoyable documentary film in 1983 and have recently seen it again (2001) at the National Film Theatre in London, together with "Fitzcarraldo" and "Werner Herzog Eats His Shoe" - sore bum!
In 1983 I thought it was brilliant and it was immensely valuable to get an insight into the tortured making of the film "Fitzcarraldo". Seeing it again, almost two decades later, I feel the film skims the surface as Les Blank seems to have little interest in drawing out what went on. He just observes and accepts the events at face value. Only Herzog is interviewed at any length and the burden of his dream(s) does become apparent as the film progresses, however there is virtually no comment from Kinski or the other actors. Les Blank might argue that the film is about Herzog's state of mind and his attitude to the production of Fitzcarraldo. In this, I think it is largely a success. To look for more from the film is perhaps to unfairly employ the benefit of hindsight.
I suspect my disappointment (relative) at seeing this again is the release of "My Best Fiend" in the interim. I find my memory conflating the two films, the piece about Kinski's "hate hate" relationship with the jungle (and almost everything else!) would seem more appropriate to "Burdens" but is in "Fiend".
"Burden of Dreams" and "My Best Fiend" would make a good double bill, giving a much more rounded impression of the context of the production of Fitzcarraldo and the relationship between Herzog and Kinski. If you are interested, try to see them both.
26 of 30 people found this review helpful.
Was this review helpful to you?
| Report this