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Blade Runner (1982)

Trailer
1:02 | Trailer

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A blade runner must pursue and terminate four replicants who stole a ship in space, and have returned to Earth to find their creator.

Director:

Ridley Scott

Writers:

Hampton Fancher (screenplay), David Webb Peoples (screenplay) (as David Peoples) | 1 more credit »
Popularity
426 ( 1)

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Check out our side-by-side comparison of the Blade Runner 2049 trailer with scenes from the original Blade Runner. Plus, take a look at Harrison Ford's career in photos.

Top Rated Movies #155 | Nominated for 2 Oscars. Another 12 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
Harrison Ford ... Rick Deckard
Rutger Hauer ... Roy Batty
Sean Young ... Rachael
Edward James Olmos ... Gaff
M. Emmet Walsh ... Bryant
Daryl Hannah ... Pris
William Sanderson ... J.F. Sebastian
Brion James ... Leon Kowalski
Joe Turkel ... Dr. Eldon Tyrell
Joanna Cassidy ... Zhora
James Hong ... Hannibal Chew
Morgan Paull ... Holden
Kevin Thompson ... Bear
John Edward Allen John Edward Allen ... Kaiser
Hy Pyke ... Taffey Lewis
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Storyline

In the 21st century, a corporation develops human clones to be used as slaves in colonies outside the Earth, identified as replicants. In 2019, a former police officer is hired to hunt down a fugitive group of clones living undercover in Los Angeles. Written by MadMovieManiac

Plot Summary | Plot Synopsis

Taglines:

The original cut of the futuristic adventure. [Director's Cut] See more »

Genres:

Sci-Fi | Thriller

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Hong Kong

Release Date:

25 June 1982 (USA) See more »

Also Known As:

Dangerous Days See more »

Filming Locations:

London, England, UK See more »

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Box Office

Budget:

$28,000,000 (estimated)

Opening Weekend USA:

$6,150,002, 27 June 1982, Wide Release

Gross USA:

$27,000,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (Workprint Version)

Sound Mix:

70 mm 6-Track (70 mm prints)| Dolby Stereo (35 mm prints)| 12-Track Digital Sound (IMAX 12 .0 Surround)

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

As Batty and Tyrell talk about how to prolong replicant lifespans, Batty suggests a process involving "EMS". Tyrell responds by saying that "Ethyl methanesulfonate" was tried unsuccessfully. Ethyl methanesulfonate is an actual organic compound with mutagenic and teratogenic qualities, used in genetics. See more »

Goofs

In Leon's apartment, right after Deckard enters the bathroom for clues, Gaff is outside playing with a matchstick and the apartment entrance door behind him is closed; but when Deckard comes out of the bathroom and looks at Gaff finishing his sculpture, the door behind them is wide open with blue neon light streaming in. See more »

Quotes

[first lines]
Female announcer over intercom: Next subject: Kowalski, Leon. Engineer, waste disposal. File section: New employee, six days.
See more »

Crazy Credits

In the "happy ending" Theatrical/International cuts, the credits play over the gorgeous scenery. In later Director/Final cuts, they play over a normal black background. See more »

Alternate Versions

After the success of the Workprint screenings in 1991, Warner Bros began to prepare a technically updated version of the 70mm workprint to release as the "Director's Cut", but Ridley Scott and Michael Arick quickly prepared a revised theatrical version without narration, without the happy ending, and with the addition of the unicorn vision. However, Scott was in post production on 1492: Conquest of Paradise and in preproduction on Thelma & Louise, and he was unable to devote all his time to the project. As such, Scott always felt that even this altered version of the film, fell short of his true intentions, something he was finally able to rectify with the 2007 Final Cut. The main differences between the Director's Cut and the US Theatrical Cut include:
  • the Director's Cut completely deletes all Deckard voice-overs
  • while Deckard waits for a seat at the noodlebar, the voice from the advertising blimp goes on longer than in the original version (to fill the void from the missing voice over) and adds the phrase "This announcement is brought to you by the Shimata-Dominguez Corporation -- helping America into the New World."
  • there is a 12 second scene showing a unicorn while Deckard plays the piano
  • the happy ending is gone, instead the film ends when the elevator doors close.
See more »

Connections

Featured in Deck-A-Rep: The True Nature of Rick Deckard (2007) See more »

Soundtracks

One More Kiss Dear
(uncredited)
Written by Peter Skellern
Performed by Vangelis
See more »

Frequently Asked Questions

See more »

User Reviews

 
The Last Great Noir
10 February 2007 | by cp_spandexSee all my reviews

This is a film that is so deep, rich, and multi-layered, it may require more than one viewing to fully absorb the brilliance of what you've just seen. At first glance, it can be a bit slow. It's told in a classic film noir fashion, so this is to be expected. Director Ridley Scott seems to want to savor every shot, and an astute audience will be able to sense this.

Now, I say the film is told in a classic Noir style, but this can be misleading. There is no Humphrey Bogart in Blade Runner, snapping off brilliant one-liners once a second. Only hopeless people, in many ways victims of the merciless world of which they are all a part. Deckard is a typically downbeat protagonist, a hard-boiled cynical leading man with a weakness for heavy drinking. The plot is a mystery in name only, as the audience is allowed to know what Roy Batty, Pris and Leon are all up to before Deckard ever finds out. This only lends to the dread and inevitability of the film, lending further to its pervasive gloom. There is no final scene at the end where the bold detective puts all the pieces together and says "Ah-Ha!". Instead, we find Rick Deckard questioning his own existence and drinking away his constant doubts, all the while embroiled in a romantic relationship with someone he's sworn to kill.

Blade Runner requires audience participation, particularly in the Director's Cut, which is entirely devoid of some rather necessary exposition provided by the Original Cut's much-maligned voice-over. Certain facts will not be clear even at the end of the film, requiring personal interpretation in order to be appreciated fully. Other facts will be given away in much more subtle ways than in most modern cinema, such as through visual cues and tenuous dialogue.

Finally, visually, this movie is quite simply a science fiction triumph. It looks better than modern computer effects in every way that counts. Superimposed special effect objects don't give off that unnatural, clearly computer-generated "Lord of the Rings" sheen common in today's effects-driven blockbusters. This, of course, is because Blade Runner - while a gorgeous movie - is not effects driven in the least. Rather, it is a visually driven story that doesn't rely on special effects. This is an important distinction to make in today's Hollywood.

"Touch of Evil" really wasn't the last of the Great Film Noirs!


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