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Blade Runner (1982)

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A blade runner must pursue and terminate four replicants who stole a ship in space and have returned to Earth to find their creator.

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(screenplay), (screenplay) (as David Peoples) | 1 more credit »
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Check out our side-by-side comparison of the Blade Runner 2049 trailer with scenes from the original Blade Runner. Plus, take a look at Harrison Ford's career in photos.

Top Rated Movies #151 | Nominated for 2 Oscars. Another 11 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Rick Deckard
... Roy Batty
... Rachael
... Gaff
... Bryant
... Pris
... J.F. Sebastian
... Leon Kowalski
... Dr. Eldon Tyrell
... Zhora
... Hannibal Chew
... Holden
... Bear
John Edward Allen ... Kaiser
... Taffey Lewis
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Storyline

In the 21st century, a corporation develops human clones to be used as slaves in colonies outside the Earth, identified as replicants. In 2019, a former police officer is hired to hunt down a fugitive group of clones living undercover in Los Angeles. Written by MadMovieManiac

Plot Summary | Plot Synopsis

Taglines:

Man Has Made His Match... Now It's His Problem See more »

Genres:

Sci-Fi | Thriller

Motion Picture Rating (MPAA)

Rated R for violence | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Release Date:

25 June 1982 (USA)  »

Also Known As:

Dangerous Days  »

Filming Locations:

 »

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Box Office

Budget:

$28,000,000 (estimated)

Opening Weekend USA:

$6,150,002, 27 June 1982, Wide Release

Gross USA:

$27,000,000
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

| (Workprint Version)

Sound Mix:

(70 mm prints)| (35 mm prints)| (IMAX 12 .0 Surround)

Color:

(Technicolor)

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

When author William Gibson went to see Blade Runner, he was preparing to begin his first novel, "Neuromancer." However, twenty minutes into Blade Runner he got up and walked out of the cinema, because he was so shocked by the similarities between the film and his as yet unwritten novel. See more »

Goofs

Neither Holden nor Deckard utilize the videos they already had of the replicants for identification. If they already knew what they looked like then why did Holden need to test Leon, or Deckard need to make a new photo of Zhora? It's not like the replicants went to any great lengths to change their appearances. See more »

Quotes

[first lines]
Female announcer over intercom: Next subject: Kowalski, Leon. Engineer, waste disposal. File section: New employee, six days.
See more »

Crazy Credits

The opening credits sequence features a detailed, dictionary-style definition of the word Replicant. See more »

Connections

Referenced in Be Kind Rewind (2008) See more »

Soundtracks

Harps of the Ancient Temples
Composed by Gail Laughton
Performed by Gail Laughton
Courtesy of Laurel Records
See more »

Frequently Asked Questions

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User Reviews

 
A compelling, thematically-deep SF film

This is truly one of the greatest science fiction films ever made, one that requires a thinking viewer in order to understand and appreciate it. The director's cut is the recommended one to see as it omits a somewhat distracting narration and avoids an unnecessary Hollywood-style ending that is at odds with the rest of the film's tone.

A true science fiction story or film is about ideas, not spaceship battles, futuristic gadgets, or weird creatures. "Blade Runner" fully qualifies as this in its examination of the impact of technology on human society, existence, and the very nature of humanity itself. These themes are set in a fairly basic detective story that moves slowly but gradually builds power as the viewer is immersed in a dystopian futuristic Los Angeles.

Harrison Ford fans accustomed to the normally dynamic roles that he plays may be dissatisfied with the seemingly lifeless lead character that he portrays here as the replicant-hunting detective known as a "blade runner". They should be, for this dissatisfaction is part of the film experience, part of the dehumanized existence in the story's setting. However, as the story unfolds, we see Ford's character, Rick Deckard, slowly come alive again and recover some humanity while pursing four escaped replicants.

The replicants, genetically-engineered human cyborgs, that Deckard must hunt down and kill are in many ways more alive than Deckard himself initially. Their escape from an off-world colony has an explicit self-directed purpose, whereas Deckard's life appears to have none other than his job, one that he has tried to give up. By some standards, Deckard and the replicants have thin character development. However, this is a deeply thematic and philosophical film, and as such the characters are the tools of the story's themes. Each character reflects some aspect of humanity or human existence, but they lack others, for each is broken in ways that reflect the broken society in which they live and were conceived/created.

There are several dramatic moments involving life-and-death struggles, but most of these are more subdued than in a normal detective story plot. The film's power is chiefly derived through its stunning visual imagery of a dark futuristic cityscape and its philosophical themes.

Among the themes explored are the following: - The dehumanization of people through a society shaped by technological and capitalistic excess. - The roles of creator and creation, their mutual enslavement, and their role reversal, i.e., the creation's triumph over its creator. - The nature of humanity itself: emotions, memory, purpose, desire, cruelty, technological mastery of environment and universe, mortality, death, and more. - Personal identity and self-awareness. - The meaning of existence.

If you are not someone who naturally enjoys contemplating such themes, the film's brilliance may be lost on you. The climax involves a soliloquy that brings many of the themes together in a simple yet wonderfully poetic way. Anyone who "gets" the film should be moved by this; others will sadly miss the point and may prefer watching some mindless action flick instead.

"Blade Runner" is a masterpiece that deserves recognition and long remembrance in film history.


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