Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After a daring mission to rescue Han Solo from Jabba the Hutt, the Rebels dispatch to Endor to destroy the second Death Star. Meanwhile, Luke struggles to help Darth Vader back from the dark side without falling into the Emperor's trap.
In the twenty-first century, a corporation develops androids to be used as slaves in colonies outside of the Earth, identified as "replicants". In 2019, a former Police Officer is hired to hunt down a fugitive group of replicants living undercover in Los Angeles, California.Written by
Ridley Scott: [opening scroll] The movie opens with a scroll about the replicants and the Blade Runners. See more »
(at around 1h 4 mins) In Deckard's apartment, after Rachael had shot Leon in the street, Deckard is having a drink with Rachael and he has his coat on (should at this point in the movie be familiar to most people -- a brown long trench-type coat). However, in the next scene where he is in the bathroom and takes off his coat and shirt, the coat is obviously a different coat, i.e. much shorter, color is a brighter red-brown, different style in the collar etc. Later in the movie he is wearing the familiar trench-type coat again. See more »
Female announcer over intercom:
Next subject: Kowalski, Leon. Engineer, waste disposal. File section: New employee, six days.
See more »
In the "happy ending" Theatrical/International cuts, the credits play over the gorgeous scenery. In later Director/Final cuts, they play over a normal black background. See more »
The European theatrical release (also available on Criterion Laserdisc) is 117 minutes long and has more explicit/violent than the original American version, with a few additions/differences from the US release:
When Batty kills Tyrell, we see him pushing his thumbs into Tyrell's eyes, and blood spurting out.
Pris lifts Deckard up by his nostrils during their fight.
Deckard shoots Pris a third time; there are also more shots of Pris kicking and screaming when she is shot.
When Roy pushes the nail through his hand, we see it burst through the skin on the other side.
Dark, deep, uncertain, unsettling imagine the most beautiful nightmare you've ever had this is Blade Runner (1982).
Ridley Scott's Blade Runner is a brilliantly crafted science fiction film that not only touches upon, but bravely plunges into deep philosophical questions, making it simply ten times more important than any film of its genre. I love it not only for the initial feeling it gives, but because of its perseverance none of the visuals, themes or technology feel dated but as deep, gripping and current as ever. It is timeless beauty with huge doses of emotion.
Set in 2019 Los Angeles, Blade Runner zooms in on the eerily-lit, urban streets of the city and follows Richard Deckard superbly played by Harrison Ford who brings an exquisite moral ambiguity to his character a special policeman who tracks down and terminates artificially-created humans called replicants, who have escaped from an Off-World colony and made their way to earth and need to be stopped. The things Deckard encounters on his detective journey raise many philosophical questions like: Who is really a replicant? Are replicants really bad? If replicants are bad, when why did we go to such lengths with our technology to create them? Are replicants really humans? Is Deckard a hero? This truly is a film that demands subsequent discussion and its ambiguous ending leave a haunting and eerie feeling.
In spite of a rich glaze of science fiction and futurism coating this adventure, there are distinct film noir elements present primarily in the bluish haze that the film is seen through and its gritty urban atmosphere. Whoever thought of this combination is a genius. Since it is all about technology, it fits then that Blade Runner features a ridiculous amount of product placement, especially from Atari. In any other film, this would have felt out-of-place but here it is simply perfect. The score by Vangelis is strangely gripping when combined with the striking cinematography of the film.
Blade Runner deserves credit, celebration and remembrance for it is simply an excellent film.
10 out of 10 (and I don't just throw this grade out like SOME people)
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