After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
A seemingly indestructible android is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
After a daring mission to rescue Han Solo from Jabba the Hutt, the rebels dispatch to Endor to destroy a more powerful Death Star. Meanwhile, Luke struggles to help Darth Vader back from the dark side without falling into the Emperor's trap.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the mysterious Darth Vader.
In the 21st century, a corporation develops human clones to be used as slaves in colonies outside the Earth, identified as replicants. In 2019, a former police officer is hired to hunt down a fugitive group of clones living undercover in Los Angeles.Written by
The significance of the dove Roy releases after his death, Accounts in both the book Future Noir and the Dangerous Days: Making Blade Runner (2007) (2007) documentary on the Final Cut DVD indicate that the dove was an idea improvised by Rutger Hauer on the day of shooting. Hauer confirms it in his own autobiography All Those Moments, saying it served as a replacement for a page-long piece of monologue they had intended for him. For Hauer, the dove flying away symbolized Batty's death, with his soul escaping and flying into freedom: There's a lot of symbolism there. And I don't mean Christian ones. The dove could represent Batty's soul, freedom, wings, a liberation from a certain lifestyle, all that. There's a lot of interesting connections to birds in mythologies and religions other than Christianity See more »
When Deckard is giving Rachael the Voight-Kampff test, the machine is zoomed in on her eyes. It shows Rachael having green eyes, Sean Young actually has brown eyes, and it shows her natural color for the rest of the film. See more »
Female announcer over intercom:
Next subject: Kowalski, Leon. Engineer, waste disposal. File section: New employee, six days.
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The opening credits sequence features a detailed, dictionary-style definition of the word Replicant. See more »
Some television broadcasts have a narrator reading aloud the opening scrawl. See more »
An incredibly beautiful-looking film as one would expect with director Ridley Scott
But it's almost like an art movie, the first science-fiction art film It's a futuristic film beautifully put together It's really impeccably made by one of the great visionary directors And you really saw a future that looked very different from the future you had seen before A future that looked very believable like the visual-effects shots of the flying car going over a futuristic city The fight sequence doesn't prepare you for the traumatic emotional side that there is in the film, it leaves you sort of broken
There is a beautiful, delicate emotional great scene that I remember when I first saw the movie I'm in the theater and I'm so drawn in what Rutger Hauer's doing I'm so drawn in by what the theme of the movie has brought us to The magnificent moment where he is letting go of life And in those last moments of letting go of life he's really learned to appreciate life to the point where he spares Deckard's life, and where he's even holding a white dove because he just wants to have something that's alive in his hands It's an amazing sort of crescendo that's going and there's Rutger saying: "I've seen things you people wouldn't believe. All these moments will be lost in time like tears in rain." Hauer puts all the things that are so amazing about people: sense of poetry, sense of humor, sense of sexuality, sense of the kid, sense of soul
Scott brought out the best qualities in his performers He coaxed and very gently manipulated performances from his actors that in some instances I think they've rarely topped You feel the story, you feel the emotions of the characters and you will be lost in the middle of this wild world, you know, it's so rich and it's painful I mean it's a very bluesy, dark story and told very compassionately
The overpopulation, the sort of crowd scenes is so rich and varied and there's such an extreme detail designing the magazine covers, designing the look of the punks, the Hare Krishnas, the biological salesman, everything is designed You have just Piccadilly Circus punks walking by You have a sense of layers in that society That is one of those things that you see again and again The city landscape with the big billboards à la Kyoto or Tokyo Scott was able to create the look based on what goes on in various cities all over the world Whether it is Tokyo, Kyoto or Beijing or Hong Kong or whatever, you're right in "Blade Runner" country
"Blade Runner," to me, embodies the elegance, the power, and the uniqueness of a film experience It's the most classical, beautiful, purest movie-making writing and then the film-making itself is The images and the sound and the music, it's pure cinema Ridley came out with an amazing, brilliantly executed future of an absolute dystopia The intensity of his perfectionism on "Blade Runner" made the movie This is a master at his best
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