Best Friends

A reunion of sorts for director Norman Jewison & writers Barry Levinson & Valerie Curtin (who worked together on 1979's And Justice for All) on this comedy from 1982. Burt Reynolds & Goldie Hawn play screenwriters who are partners at work & partners at home who feel the stirrings of marriage but when they decide to tie the knot & visit each other's in-laws, the sinking feeling of regret soon settles in even as a film they have in production needs their services. Screaming 'inspired by real life', this tale clearly mirrored Levinson/Curtin's real relationship which gives us some interesting comic vignettes but not much else since as a couple on screen, Reynolds & Hawn look uncomfortable even when they're embraced in affection. Jewison hadn't directed such froth as this since his early days in the 60's when he made a couple of Doris Day pics so seeing him return to his roots, as it were, feels like many steps back rather than an evolution for this auteur.

Based on the real relationship between film director Barry Levinson and his wife, Best Friends is one of the greatest last films that marked Burt Reynolds's popularity.In the brutal crime-drama Sharky's Machine, Reynolds achieved perfection, as a director and a movie star, but here he is sweet, vulnerable and, yes, believable. An absolute box office champion during the seventies and early eighties, Reynolds lends all his charm, claw and talent to his character. Goldie Hawn, charming and provocative, composes with perfection a woman who,in spite of loving Reynolds' character, is afraid of getting married, what may mean a precipitate step in the relationship. Jewinson, one of the last real filmmakers from Hollywood, accomplished a sweet and hopeful comedy/drama about the ups and downs of every couple of lovers. The big surprises are the beautiful (and nominated for an Oscar) song called "How do we keep the music playing?" and the talented supporting cast, that includes Jessica Tandy and Ron Silver.

Norman Jewison (In the Heat of the Night, Rollerball) directed this supposedly romantic comedy about a middle-aged writing couple acting like teenagers at the behest of their respective parents. Barry Levinson and Valerie Curtin wrote the script, based on their own relationship, and while it's not too difficult to spot the authenticity and potential, the script limits itself and gets too hung up on its own conundrums. After a fun start, in which the chemistry between stars Burt Reynolds and Goldie Hawn is palpable and very much enjoyable, the film starts to drag when the couple go on a road trip to their in-laws. It's all obviously meant to feel claustrophobic, but the film isn't just suffocating its protagonists; it's also suffocating itself. There's a lack of perspective here, which the filmmakers try to make up for with babbling, Allenesque dialogue, making the film's various stages seem perpetual and unforgiving. Reynolds and Hawn not only wear each other out, they also wear this entire film out. And Jewison is never able to find the tools to lift Best Friends out from its own misery. It could have been a good movie.

Burt Reynolds' appealing performance is the only thing one can recommend about this aimless, extremely mild comedy. It's so bland that it seems more like a kiddie film. The supporting characters are mostly annoying caricatures. By the end, you'll be feeling that the movie wasn't really worth your time.

I saw "Best Friends" in the theater (Bellerose, NY) and I've seen it several times since. I don't like it that much. "Best Friends" does the impossible. It makes two of the most likable stars ever, Burt Reynolds and Goldie Hawn, and makes them almost unlikable. Burt and Goldie have there moments, the movie does as well, but the weak script is just another '70s anti-marriage movie. Will marriage ruin their relationship? Blah, blah blah. By the time this movie came out, there had already been a bunch of movies like this. There are a handful of laughs in this movie but after an hour of so I just wanted "Best Friends" to end.