Talkative, hyperactive young drifter Ville Alfa goes around Helsinki, basically trying to borrow money from friends and strangers by means of an incessant delivery of quirky and snappy quasi-intellectual lines and fabricated excuses.
Antti "Zombie" Autiomaa does two things well: play the bass guitar and drink. After several months' sleeping on the streets of Istanbul, he returns to Helsinki where he's called into the ... See full summary »
Lugubrious Finns Valto and Reino take to the road in search of coffee and vodka, without which their lives are not worth living. But their reveries are interrupted by the arrival of ... See full summary »
A bizarre black-and-white film noir reworking of Shakespeare's 'Hamlet'. After the death of his father, young Hamlet inherits a seat on the board of a company controlled by his uncle that ... See full summary »
Giancarlo Rosso, a Sicilian hit man, gets a job to kill someone in Finland. His new target is Maria. Rosso arrives in Helsinki, buys weapons, and comes in hers apartment. After seeing that ... See full summary »
Alex is Finlander married to an Italian who works as a taxi driver in Berlin. One night in his taxi come two men with a briefcase full of money. Unluckily for Alex, they are being chased by... See full summary »
[after being beaten up Manne places a loosen tooth in his car's ahtray]
So you put the tooth in there.
So I did.
Odd bargaining... It is not my business at all, but...
Just a moment of silence to honour it, please!
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Manne's last lines before he leaves Finland ("I'm a sick man, an evil man, a repulsive being. I believe my liver is diseased") are the first lines from Fyodor Dostoyevsky's novella Notes from the Underground. See more »
As the first longer film by the Kaurismaki brothers, this film establishes the subtle, minimalistic and yet intellectual dialogue set in the unlikely backdrop of lower middle-class crime drama. The "Time rushes like a moose" -type of line said in a monotone voice is the stuff that the brothers became known for, and they use the dialogue deliciously. While the dialogue is already in place, the pace is a lot faster than in the future films - or maybe it is because of Mika's directing. But the basic Kaurismaki themes of lower middle-class honor, independence and friendship are there. Due to its faster pace (Kaurismaki films are usually criticized for being too slow), witty dialogue and certainly unusual theme of Finnish unorganized crime (outside Finland, at least), I hope that this film will be picked up by some independent film channels. This movie is actually entertaining! It really deserves wider exposure. Another point worth mentioning is the soundtrack. The movie has some Finnish rock classics from the 70's - it's definitely worth checking out if you get a chance.
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