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L'ange (1982)

The climbing of an immense staircase made up of the most varied stairs. Symbolic scenes occur on different levels where characters seem to be prisoners of their deeds and of their own folly... See full summary »

Director:

Patrick Bokanowski
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1 nomination. See more awards »

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Cast

Cast overview:
Maurice Baquet Maurice Baquet ... Le premier bibliothécaire
Jean-Marie Bon Jean-Marie Bon ... L'homme au bain
Martine Couture Martine Couture ... La servante
Jacques Faure Jacques Faure ... L'homme au sabre / L'homme sans mains
Mario Gonzales Mario Gonzales ... L'apprenti
René Patrignani René Patrignani ... L'artiste
Rita Renoir Rita Renoir ... La femme nue
Alain Salomon Alain Salomon
Dominique Serrand Dominique Serrand
Nicolas Serreau Nicolas Serreau
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Storyline

The climbing of an immense staircase made up of the most varied stairs. Symbolic scenes occur on different levels where characters seem to be prisoners of their deeds and of their own folly. Attacks, explosions, maniacal and despairing searching, objects which independently move, walls, floors and ceilings which form and disperse. The steep staircase leads little by little towards the zones of great light where human beings and nonhuman beings meet. Written by Ulf Kjell Gür

Plot Summary | Add Synopsis

Genres:

Fantasy

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Details

Official Sites:

Official site DVD

Country:

France

Language:

French

Release Date:

April 1990 (USA) See more »

Also Known As:

Az angyal See more »

Company Credits

Production Co:

Kira B.M. Films See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.33 : 1
See full technical specs »

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User Reviews

 
beautifully-filmed avant-garde cinema
27 March 2002 | by realreelSee all my reviews

What do Jean Cocteau, Luis Bunuel, Man Ray, Sergei Eisenstein, Mary Ellen Bute, Slavko Vorkapich and Joseph Cornell have in common? If you're familiar with all of them, you probably are or were in film studies. They're all early experimental film makers. If you think that you enjoy "art house" flicks because you've caught a Truffaut or Fellini film once or twice, wait until you get a load of the work of these artists. At its most extreme, we're talking... no narrative... no characters... no semblance of rhyme or reason whatsoever. We're talking MOOD. We're talking VISUAL POETRY. And, yeah... we're talking PRETENTIOUS. But who gives a damn? If there's a place for "Santa with Muscles," there's a place for pretentious, too. [Actually... scratch that. If there's a place for John Murlowski/Hulk Hogan movies, it's the trash.]

If you're not familiar with any of the aforementioned directors, I'd probably say that the closest thing you've seen to the dazzling cinematography of "L'Ange" would be the dream sequences of David Lynch's "Twin Peaks" or Tarsem Singh's "The Cell." If you haven't seen either of those movies... I honestly don't know what to tell you. Many directors, in fact, employ Bokanowski's techniques as devices in their films. The main differences are... first... they didn't start using them in 1982. In fact, it's taken them the better part of twenty years to catch up with him. Second, they don't make whole films that way. Whole films of eerie avant-garde images don't sell at the box office. Hollywood hasn't financed experimental cinema in over sixty years; if you really think that Lynch and Scorsese's films are daring... well... that's you.

"L'Ange" is a wonderful film. Simply put. See it yourself. There's no reason to describe what's in it, because everyone must have a different experience of this film, even if that includes sleeping, walking out, screaming or falling into a hypnotically-induced torpor. Patrick Borkanowski is not an important director... he's an important artist. In "The Critic as Artist," Wilde said, "Mere colour, unspoiled by meaning, and unallied with definite form, can speak to the soul in a thousand different ways." I'm not sure exactly in which way "L'Ange" spoke to me, but I can tell you this: This is a creepy little peace of heaven.


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