A Florida con man uses the passing of the long time Congressman from his district who he just happens to share a name with, to get elected to his version of paradise, Congress, where the ... See full summary »
Oddball cop and tough guy, Jack Cates is the only survivor of a cop shooting and in hunting down the murderer collects Reggie Hammond from jail for 48 hours. Hammond is oddly motivated to help. The killer is searching for his stash of cash. Cates and Hammond who have the Black-white, cop-crook thing to work out make surprisingly good partners as they navigate through the city looking for their suspect.Written by
John Vogel <firstname.lastname@example.org>
David Patrick Kelly and James Remar both had starring roles in the 1979 film "The Warriors". David Patrick Kelly had portrayed a character named Luther in both of these films. Both films were written and directed Walter Hill. See more »
During the "class isn't something you buy" scene when Jack & Reggie are following Luther, Jack says to Reggie class isn't something you buy and then says "...look at you, you've got a 500 dollar suit on and your still a lowlife." But earlier in the film when Reggie is first released and is wearing the suit he tells Jack that it was a $900.00 suit which Jack should have known later in the film. See more »
[in fake southern accent]
I want y'all to know somethin'... there's a new sheriff in town...
[Reggie removes his cowboy hat and tosses it to the bartender, then speaks in his natural black dialect:]
... and his name is Reggie Hammond! Y'all be cool! Right on!
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A seriously edgy and explosive thriller about an untidy yet tenacious San Francisco cop, Jack Cates (Nick Nolte), who must take Reggie Hammond (Eddie Murphy), an ultra-cocky convict with him and search around the city for a brutish cop-killer, Ganz (James Remar)and his nearly out-spoken Indian accomplice, Billy Bear (Sonny Landham) and take them down in less than forty-eight hours. What made me enjoy the movie is the trust and respect that the Murphy and Nolte characters begin to show, even there are moments where they want to pound each other's head in. In addition to Nolte and Murphy (who's in his film debut), Remar is pretty good here despite having a limited amount of screen time. The photography of the city by Ric Waite is well, excellent and the skillful direction by Walter Hill can't go unnoticed. "48 Hrs." may not look as well-crafted as "The French Connection", but Hill sure knows how to make something memorable out of nothing.
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