In the conniving world of politics, even a professional shyster like Thomas Jefferson Johnson (Eddie Murphy) can find himself outmatched. After using name recognition to get elected, ... See full summary »
Oddball cop and tough guy, Jack Cates is the only survivor of a cop shooting and in hunting down the murderer collects Reggie Hammond from jail for 48 hours. Hammond is oddly motivated to help. The killer is searching for his stash of cash. Cates and Hammond who have the Black-white, cop-crook thing to work out make surprisingly good partners as they navigate through the city looking for their suspect.Written by
John Vogel <email@example.com>
The boys are back in town. Nick Nolte is a cop. Eddie Murphy is a convict. They couldn't have liked each other less. They couldn't have needed each other more. And the last place they ever expected to be is on the same side. Even for... 48 HRS See more »
Included among the American Film Institute's 2000 list of the 500 movies nominated for the Top 100 Funniest American Movies. See more »
There is most likely no way a battery would stay good for three years only being charged once per month. Once a battery goes through 7 cycles of running all the way down it is shot. About the only way a battery would stay good this long is if it were a modern day battery on a trickle (constant) charger. Very doubtful the car would have started after 3 years without a full charge anyway. See more »
You switch from an armed robber to a pimp, you're all set.
a-HA, HA... hooo!
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A seriously edgy and explosive thriller about an untidy yet tenacious San Francisco cop, Jack Cates (Nick Nolte), who must take Reggie Hammond (Eddie Murphy), an ultra-cocky convict with him and search around the city for a brutish cop-killer, Ganz (James Remar)and his nearly out-spoken Indian accomplice, Billy Bear (Sonny Landham) and take them down in less than forty-eight hours. What made me enjoy the movie is the trust and respect that the Murphy and Nolte characters begin to show, even there are moments where they want to pound each other's head in. In addition to Nolte and Murphy (who's in his film debut), Remar is pretty good here despite having a limited amount of screen time. The photography of the city by Ric Waite is well, excellent and the skillful direction by Walter Hill can't go unnoticed. "48 Hrs." may not look as well-crafted as "The French Connection", but Hill sure knows how to make something memorable out of nothing.
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