The crazy and sometimes surreal comedic adventures of four very different students in Thatcher's Britain.
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2   1  
1984   1982  
1 win & 1 nomination. See more awards »

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Queen Elizabeth is attending a parade in Hammersmith and Richie and Eddie plans on inviting the Queen to join them for supper. But their plan goes wrong.

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Richard "Richie" Twat and Edward "Eddie" Elizabeth Ndingombaba are two losers who run Guest House Paradiso, the worst hotel in the UK. Guest House Paradiso is next-door to a nuclear power ... See full summary »

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Cast

Series cast summary:
...  Vyvyan / ... 12 episodes, 1982-1984
...  Rick / ... 12 episodes, 1982-1984
...  Neil / ... 12 episodes, 1982-1984
...  Mike / ... 12 episodes, 1982-1984
...  the Balowski Family / ... 12 episodes, 1982-1984
Mark Arden ...  Boy in Comic Strip / ... 7 episodes, 1982-1984
...  Bank Vault Manager / ... 7 episodes, 1982-1984
Ben Elton ...  Baz / ... 5 episodes, 1982-1984
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Storyline

Four mis-matched university students share a house in North London: Neil, the hippy; Mike, the cool person; Rick, a would-be anarchist studying sociology; and Vyvyan, the punk medical student who is prone to extreme violence. Together with their bastard Russian landlord, the world of these "bachelor boys" is surreal and violent, but ultimately hilarious. Written by Alexander Lum <aj_lum@postoffice.utas.edu.au>

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Comedy

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Release Date:

9 November 1982 (UK)  »

Also Known As:

De unge  »

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Runtime:

| (12 episodes)

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Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

The principal characters were all derived from characters performed by the actors at The Comic Strip club in London in the early-1980s. Rik, the People's Poet was a solo act by Rik Mayall; Vyvyan was a development of Adrian Edmondson's half of Twentieth Century Coyote (with Mayall); Neil was originally Nigel Planer's inept (and depressed) folk singer; while Mike was based on Peter Richardson's performance as half of The Outer Limits (with Planer). It was originally intended that Richardson should join the show, but when he declined, the role was offered to Christopher Ryan. See more »

Connections

Featured in A History of Alternative Comedy (1999) See more »

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User Reviews

The Great Surrealist Sitcom.
3 June 2001 | by See all my reviews

The Young Ones may be an obscurity in the USA, but here in Australia its fondly remembered. We first heard rumours of it back in about '82, then someone sneaked in a crappy tape of 'Bomb'. We sat and watched it in awe. This was The Great British Surrealist sitcom; the logical next step from The Goons and Monty Python. It was appallingly, daringly head and shoulders above everything else from the 80's (oh, alright, except Black Adder. Especially Black Adder II).

Four students: a hippy, a punk, a would-be anarchist who secretly loves Cliff Richard, and... Mike, 'the cool person' - who appears to be throughly normal. Except he isn't. In fact, when you really take a close look at him, Mike is actually stranger than all the others put together. Half of his lines make little or no sense. He said something once about a sheepdog, which struck me as one of the strangest lines I've ever heard on television. But anyway, he is still nominally the anchor of normality around which all the madness rotates.

Using Python's rapid-cut technique, and employing a similar lack of concern for continuity, a Young Ones episode is a rollercoaster of surrealism, violence and squalor (the latter two elements taken to even greater extremes by Mayall and Edmonson in 'Bottom'). Episodes are suddenly interrupted by the appearance of Benito Mussolini, singing a song called 'Stupid Noises', or by various other manifestations of Russian landlord Alexai Sayle, who is inclined to go into stand up comedy routines and address the audience, much to the confusion of everyone else on set. Images of garden taps or insects are flashed on screen for a fraction of a second, scenes cartwheel off in all directions: a family of peasants in the adjoining room sit huddled round a lamp, a wardrobe leads into the realms of Narnia, an unexploded atomic bomb lands in the middle of the kitchen, vegetables in the fridge talk to each other, and Motorhead just happen to be in the loungeroom, performing 'Ace of Spades'.

Someobody else said that this series hit Britain like bombshell. It's effect was similar in Australia. It never spawned any imitators - the rest of the 80's seemed to be given over to dreary political satire, but it is undeniably one of the great English sitcoms - even if, now and then, it drags its feet just a little.

Like Fawlty Towers, it ran for only two series, but when they were over, it had breached countless boundaries of bad taste and absurdity, introduced the writing talents of Ben Elton, the careers of Rik Mayall, Alexei Sayle, Nigel Planer, Dawn French and Adrian Edmonson, and made the godawful, bland, mid 80's bearable for a few people like me.


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